The question of Kosovan sovereignty and independence has a history which stretches far back beyond the outbreak of war in 1998. This volume is a compilation of key documents on Kosovo from the first half of the twentieth century. These texts, including numerous diplomatic despatches from the British Foreign Office, deal initially with the Albanian uprising against Ottoman rule in the spring of 1912 and, in particular, with the period of the Serbian invasion of Kosovo in late 1912 and the repercussions of the conquest for the Albanian population. The documents from 1918 to the early 1920s focus mainly on endeavours by Albanian leaders, including those of the so-called Kosovo Committee in exile, to bring the plight of their people to the attention of the outside world - endeavours which largely failed. Further documents reflect the situation in Kosovo up to the outbreak of World War II. This collection provides new perspectives on the Kosovo question and includes many documents which have been largely unavailable up to now. It sheds new light on many of the major and minor episodes that channelled and determined subsequent events, including the Kosovo War of 1998-1999 and the declaration of independence in February 2008.

Who are the Serbs? Branded by some as Europe's new Nazis, they are seen by others—and by themselves—as the innocent victims of nationalist aggression and of an implacably hostile world media. In this challenging new book, Timothy Judah, who covered the war years in former Yugoslavia for the London Times and the Economist, argues that neither is true. Exploring the Serbian nation from the great epics of its past to the battlefields of Bosnia and the backstreets of Kosovo, he sets the fate of the Serbs within the story of their past. This wide-ranging, scholarly, and highly readable account opens with the windswept fortresses of medieval kings and a battle lost more than six centuries ago that still profoundly influences the Serbs. Judah describes the idea of "Serbdom" that sustained them during centuries of Ottoman rule, the days of glory during the First World War, and the genocide against them during the Second. He examines the tenuous ethnic balance fashioned by Tito and its unraveling after his death. And he reveals how Slobodan Milosevic, later to become president, used a version of history to drive his people to nationalist euphoria. Judah details the way Milosevic prepared for war and provides gripping eyewitness accounts of wartime horrors: the burning villages and "ethnic cleansing," the ignominy of the siege of Sarajevo, and the columns of bedraggled Serb refugees, cynically manipulated and then abandoned once the dream of a Greater Serbia was lost. This first in-depth account of life behind Serbian lines is not an apologia but a scrupulous explanation of how the people of a modernizing European state could become among the most reviled of the century. Rejecting the stereotypical image of a bloodthirsty nation, Judah makes the Serbs comprehensible by placing them within the context of their history and their hopes.

The Bridge Betrayed reveals the crucial role of the religious mythology of Kosovo in the destruction of Yugoslavia and the genocide in Bosnia. A new preface discusses the deepening crisis in Kosovo - the epicenter of that mythology.

The study reported in this volume is an attempt to develop a multilevel theory of violent conflict and war. As such, the study involves: a pretheory for identifying concepts operative at each level, and for explaining how the concepts relate to violent conflict and war.

The fruit of a landmark international collaboration, this book focuses on the final years of socialist Yugoslavia and on the beginning of the country's breakup. With chapters devoted to each of erstwhile Yugoslavia's six republics, the book also offers a unique blend of thematic essays on political, cultural, economic, environmental, religious, and foreign policy issues. Bringing together renowned scholars from the United States, Great Britain, Serbia, and Croatia, the book shows how disintegrative tendencies penetrated and affected all spheres of life in Yugoslavia. The resultant war has, therefore, been fought not only on military and diplomatic fronts, but also at the level of economics, through literature and film, and in the spheres of religion and gender relations.

For decades, we have come to accept that nationalism formed the basis of the modern history of the Balkans. In this bold and controversial study, Pavlos Hatzopoulos turns this assumption on its head. Through a ground-breaking examination of the non-nationalist ideologies in the Balkans during the interwar period, Hatzopoulos calls into question the supposedly inherent connection between the Balkans and nationalism and argues that nationalism does not form the sole ordering principle of the modern history of the Balkan region. Focusing on the ideologies of communism, liberal internationalism and agrarianism, Hatzopoulos examines how these interact with nationalist ideology. He demonstrates how non-nationalist theories challenge the nationalist view of the Balkans as the sum of several national spaces. He even questions the nationalist understanding of the very term 'the Balkans'. "The Balkans Beyond Nationalism and Identity" revisits contemporary debates on a region that is still a European crisis point and challenges the nation-centric understanding that permeates it. In proposing a description of 'the Balkans' as a contested political concept, the book argues for a completely fresh interpretation of the region's composition.

While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Rather than interpreting violence against architecture as a mere representation of "deeper" social, political, or ideological dynamics, Herscher reveals it to be a form of cultural production, irreducible to its contexts and formative of the identities and agencies that seemingly bear on it as causes. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.