The shoreline of America means hope for some and tragedy for others.

Since their reunion, Nicole and Anne have formed a bond that goes beyond "sisters" to best friends. Their paths separate again when Nicole's soul-searching consideration of her uncle Charles' desire for an heir brings her to his estate in England. When Anne brings her young son to England, the bittersweet reunion starts both young women on a new journey. Will their mutual love and support be enough to sustain them as the secret of the birthright is uncovered?

She Yearned to Find a Home for Her Heart The tragic Acadian saga recounted in The Meeting Place, when the British drove the French from Nova Scotia, has followed two families over a score of years to the birth pangs of a new nation. The Song of Acadia has been one full of pathos but also of hope. Faith in God and family eventually have brought the Henri Robichauds to Louisiana, and finally, to a life of tranquility among the bayous. Back in Nova Scotia, the Andrew Harrows have been beacons of light among the British and the French communities. But the American Revolution has created turmoil on two continents, dividing nations, people, and, sometimes, even families. Anne in England and Nicole in the New World have little hope of seeing one another again in the foreseeable future. Then a letter finds its way to both sisters with news that send them on a frantic and harrowing journey to...The Beloved Land.

Vol. 4.

Facing the threat of war, can two families be united in peace amid the heartbreak?

The Thread Binding Them Together As Sisters Is All Too Fragile... The bittersweet reunion of the Robichaud family and the Harrows in the land of the Acadians has brought two mothers and two daughters full circle. They rekindle those early bonds and experience restoration of those lost years, but time and tragedy have left their indelible imprints on all who have endured the decades of separation and uncertainty. Moving forward with their lives now means further farewells--not as devastating as the one long ago, but no less heart wrenching. Their connection, which goes beyond that of "sisters" to best friends, will be tested by the coming Revolution and the lure of England--parted again, the reunited, but for how long...? Can their friendship sustain the startling revelation concerning...The Birthright?

This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii’s pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii’s culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida’s analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These “texts” include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities. Hawaii’s rich literary tradition begins with ancient Polynesian chant and encompasses the compelling novels of O.A. Bushnell, Shelley Ota, Kazuo Miyamoto, Milton Marayama, and John Dominis Holt; the stories of Patsy Saiki and Darrell Lum; the dramas of Aldyth Morris; the poetry of Cathy Song, Erick Chock, Jody Manabe, Wing Tek Lum, and others of the contemporary “Bamboo Ridge” group; Hawaiian songs and poetry, or mele; and works written by visitors from outside the islands, such as the journals of Captain Cook and the prose fiction of Herman Melville, James Fenimore Cooper, Mark Twain, and James Michener. Sumida discusses the renewed enthusiasm for native Hawaiian culture and the controversies over Hawaii’s vernacular pidgins and creoles. His achievement in developing a functional and accessible critical and intellectual framework for analyzing this diverse material is remarkable, and his engaging and perceptive analysis of these works invites the reader to explore further in the literature itself and to reconsider the present and future direction of Hawaii’s writers.