Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.

Wedding an analysis of relevant anthropological literature and philosophical theory, this important book re-positions violence--long trivialized by philosophers as an incidental or anomalous feature of humanity--as a central concern for ethical thought. Wendy Hamblet focuses on a fundamental paradox that emerges when well-meaning communities and individuals attempt to implement their ideals in our social, or socialized, world. Very often the unintended consequences of these individual or communal ideals run headlong into the brute fact of bloody human engagement. Through her investigation of violence-legitimization in myth and ancient tales, philosophical accounts (from Plato to Nietzsche), the concept of home as 'refuge, ' and recent social scientific data, Hamblet takes up the charge that violence is steeped in our being--it pervades human history and is embedded in the ethos of our modern institutions--and gives us essential tools for better understanding how violence actually operates.

Dragons, unicorns, mermaids ... all the famous creatures of myth and legend are to be found in the Torah, Talmud and Midrash. But what are we to make of them? Do they really exist? Did the Torah scholars of old believe in their existence? And if not, why did they describe these creatures? Sacred Monsters is a thoroughly revised and vastly expanded edition of the bestselling book Mysterious Creatures. Rabbi Natan Slifkin, the famous "Zoo Rabbi," revisits all the creatures of that work as well as a host of new ones, including werewolves, giants, dwarfs, two-headed mutants, and the enigmatic shamir-worm. Sacred Monsters explores these cases in detail and discusses a range of different approaches for understanding them. Aside from the fascinating insights into these cryptic creatures, Sacred Monsters also presents a framework within which to approach any conflict between classical Jewish texts and the modern scientific worldview. Complete with extraordinary photographs and fascinating ancient illustrations, Sacred Monsters is a scholarly yet stimulating work that will be a treasured addition to your bookshelf

Religion, Culture, and the Monstrous: Of Gods and Monsters explores the intersection of the emerging field of “monster theory” within religious studies. With case studies from ancient Mesopotamia to contemporary valleys of the Himalayas to ghost tours in Savannah, Georgia, the volume examines the variegated nature of the monstrous as well as the cultural functions of monsters in shaping how we see the world and ourselves. In this, the authors constructively assess the state of the two fields of monster theory and religious studies, and propose new directions in how these fields can inform each other. The case studies included illuminate the ways in which monsters reinforce the categories through which a given culture sees the world. At the same time, the volume points to how monsters appear to question, disrupt, or challenge those categories, creating an ‘unsettling’ or surplus of meaning.

Stelios Galatopoulos first met Maria Callas as a fan, at a performance of La Giocononda in 1947. Aged 24, she was still a large woman, hiding the gaunt dramatic figure she was to become. Galatopoulos was there at her debut at Covent Garden in 1952, and by 1957 had become a friend.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, the New York Times, the Washington Post, House and Garden, and the New York Review of Books. In Sacred Monsters, White collects more than twenty of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, Paul Bowles, Andy Warhol, John Singer Sargent, Vladimir Nabokov, Auguste Rodin, Edith Wharton, Christopher Isherwood, Martin Amis, Allen Ginsberg, Marguerite Duras, John Rechy, Ford Maddox Ford, David Hockney, Reynolds Price, E.M. Forster, James Abbott McNeil Whistler, and Marcel Proust, among others.