The Sacred Body Factories and the Creations of these eons old Arisings here in our Universe and beyond, are home to our Created Sacred Vessel our Sacred Body. As Soul, each of us chooses to explore what it is like to be in a Sacred Vessel, exploring an Ego Field that has as its primary ingredient no longer Feeling The Love We Are. This present work of nonfiction explores the content and Creative Manifestations of The Sacred Body Factories as well as the consequences of being in a Sacred Vessel, with its accommodative Sacred Nodal Energies, while forgetting Who/What We Really Are. Each of us is a mutually agreed- to Co-Creation of the Soul/Body Matrix with the Cosmos, and hence to honor, accept, allow, and above all else, LOVE Unconditionally this Unique Creation is critical. How we Relate to the experiences we are having here in this Ego Field while feeling so cut off from the Love We Are is deeply explored in this work Things Happen We evolve We do and say and create many things based in not Loving the self. Everything that is Created within the Sacred Body Factories, we are Co-Creating with Our Creator and with the many billions of personnel who work within and for The Sacred Body Factories - of which there are countless numbers all over the Universes. In fact, we are ourselves among these Beings who work within the Sacred Matrices of Love that so Create. We have been Gifted with many levels of experience in which to explore in this Universe and Beyond. Enjoy Your Sacredness, Your Sacred Body. Tend it Lovingly, with Great Care, Great Compassion and Consciousness. For You Created It and You are Lovingly Responsible for It. God Bless Shoh Nah

Beads, Bodies, and Trash merges cultural sociology with a commodity chain analysis by following Mardi Gras beads to their origins. Beginning with Bourbon Street of New Orleans, this book moves to the grim factories in the tax-free economic zone of rural Fuzhou, China. Beads, Bodies, and Trash will increase students’ capacity to think critically about and question everyday objects that circulate around the globe: where do objects come from, how do they emerge, where do they end up, what are their properties, what assemblages do they form, and what are the consequences (both beneficial and harmful) of those properties on the environment and human bodies? This book also asks students to confront how the beads can contradictorily be implicated in fun, sexist, unequal, and toxic relationships of production, consumption, and disposal. With a companion documentary, Mardi Gras Made in China, this book introduces students to recording technologies as possible research tools.

Factory Lives contains four works of great importance in the field of nineteenth-century working-class autobiography: John Brown’s A Memoir of Robert Blincoe; William Dodd’s A Narrative of the Experience and Sufferings of William Dodd; Ellen Johnston’s “Autobiography”; and James Myles’s Chapters in the Life of a Dundee Factory Boy. This Broadview edition also includes a remarkably rich selection of historical documents that provide context for these works. Appendices include contemporary responses to the autobiographies, debates on factory legislation, transcripts of testimony given before parliamentary committees on child labour, and excerpts from literary works on factory life by Harriet Martineau, Frances Trollope, and Elizabeth Barrett Browning, among others.