The sack of Rome shocked the Christian world. Following the battle of Pavia, Pope Clement VII joined (1526) the French-led League of Cognac to resist the threatened Habsburg domination of Europe. Emperor Charles V appealed to the German diet for support and raised an army, which entered Italy in 1527 and joined the imperial forces from Milan, commanded by the Duke of Bourbon. This army marched on Rome, hoping to detach the pope from the league. The many Lutherans in its ranks boasted that they came with hemp halters to hang the cardinals and a silk one for the pope. Rome fell on 6 May 1527, Bourbon being killed in the first assault. Discipline collapsed, and the city was savagely pillaged for a week before some control was restored. Judith Hook's book is here reprinted with a foreward by Patrick Collinson.

Denied citizenship by the Roman Empire, a soldier named Alaric changed history by unleashing a surprise attack on the capital city of an unjust empire. Stigmatized and relegated to the margins of Roman society, the Goths were violent “barbarians” who destroyed “civilization,” at least in the conventional story of Rome’s collapse. But a slight shift of perspective brings their history, and ours, shockingly alive. Alaric grew up near the river border that separated Gothic territory from Roman. He survived a border policy that separated migrant children from their parents, and he was denied benefits he likely expected from military service. Romans were deeply conflicted over who should enjoy the privileges of citizenship. They wanted to buttress their global power, but were insecure about Roman identity; they depended on foreign goods, but scoffed at and denied foreigners their own voices and humanity. In stark contrast to the rising bigotry, intolerance, and zealotry among Romans during Alaric’s lifetime, the Goths, as practicing Christians, valued religious pluralism and tolerance. The marginalized Goths, marked by history as frightening harbingers of destruction and of the Dark Ages, preserved virtues of the ancient world that we take for granted. The three nights of riots Alaric and the Goths brought to the capital struck fear into the hearts of the powerful, but the riots were not without cause. Combining vivid storytelling and historical analysis, Douglas Boin reveals the Goths’ complex and fascinating legacy in shaping our world.

On May 5, 1527 Spanish, German, and Italian troops under the banner of the Holy Roman Emperor swarmed into Rome. Until December, when they were finally dispersed by plague, these troops plundered, tortured, raped, and murdered in the defenseless capital of Christendom. "The sack of Rome in 1527 was an event of tragic and decisive importance. It brought the Renaissance, the greatest period in Italian history, to its sudden and catastrophic end. We are fortunate to possess many eyewitness accounts of this extraordinary event. Only one contemporary account, however, offers an overview of the political and military situation in Italy that culminated in the sack of Rome. That account is here translated for the first time." (Introduction) Illustrated, maps, introduction, glossary, afterword, bibliography.

Award-winning author Alexander Stille has been called "one of the best English-language writers on Italy" by the New York Times Book Review, and in The Sack of Rome he sets out to answer the question: What happens when vast wealth, a virtual media monopoly, and acute shamelessness combine in one man? Many are the crimes of Silvio Berlusconi, Stille argues, and, with deft analysis, he weaves them into a single mesmerizing chronicle—an epic saga of rank criminality, cronyism, and self-dealing at the highest levels of power.

Engaging account of the Barbarian sack of Rome.

An assessment of how four humanists in the court of Pope Clement VII - Pietro Alcionio, Pietro Corsi, Jacopo Sadoleto, and Pierio Valeriano - interpreted the cataclysmic Sack of Rome (1527), which called into question their earlier images of the Renaissance papacy. Building upon recent discussions in literary criticism and cognitive psychology, the author elucidates how these humanists' narratives gave meaningful shape to their memories and, in so doing, helped to redefine the image of Renaissance Rome as it would be "remembered" by subsequent generations.

This richly illustrated study of the sack as a cultural and artistic phenomenon reveals the ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Clement VII and the city as it existed after the troops of Emperor Charles V had looted Rome in 1527.