This book is a critical study of the mystical celebration of Sabbath in the classical period of Kabbalah, from the late twelfth to the early sixteenth centuries. The Kabbalists' re-reading of the earlier Jewish tradition has been called a model of "mythopoeic revision," a revision rooted in a world-view that stressed the interrelation of all worlds and levels of being. This is the first work, in any language, to systematically collect and analyze all the major innovations in praxis and theology that classical Kabbalah effected upon the development of the Rabbinic Sabbath, one of the most central areas of Jewish religious practice. The author analyzes the historical development of the Kabbalistic Sabbath, constructs a theoretical framework for the interpretation of its dense myth-ritual structure, and provides a phenomenology of key myths and rituals. It is one of the first Kabbalistic studies to integrate traditional textual-historical scholarship with newer methods employed in the study of religion and symbolic anthropology.

This book is a critical study of the mystical celebration of Sabbath in the classical period of Kabbalah, from the late twelfth to the early sixteenth centuries. The Kabbalists' re-reading of the earlier Jewish tradition has been called a model of "mythopoeic revision," a revision rooted in a world-view that stressed the interrelation of all worlds and levels of being. This is the first work, in any language, to systematically collect and analyze all the major innovations in praxis and theology that classical Kabbalah effected upon the development of the Rabbinic Sabbath, one of the most central areas of Jewish religious practice. The author analyzes the historical development of the Kabbalistic Sabbath, constructs a theoretical framework for the interpretation of its dense myth-ritual structure, and provides a phenomenology of key myths and rituals. It is one of the first Kabbalistic studies to integrate traditional textual-historical scholarship with newer methods employed in the study of religion and symbolic anthropology.

In this concise but powerful book, noted scholar and teacher Yehuda Berg describes all of the basic elements involved in the Sabbath, as practiced by students of Kabbalah, and explains the reasons behind each one. In Kabbalah, the period between Friday sunset and Saturday sunset is very different from, and more important than, any of the other days of the week. Kabbalists believe that the Sabbath is the only day when the spiritual and physical worlds are united, making it the most powerful day. The Light force flows continually, giving the opportunity to refuel energy and rejuvenate the soul for the coming week. But, according to Kabbalah, the day is not one of rest, nor is it about worship; it’s about making a connection, which takes spiritual work. This book clearly explains how to make that connection.

Presents a new understanding of the laws of cosmic manifestation through the sacred geometry of the Sabbath Star diagram • Explores three higher levels of consciousness above the four worlds of the classical Kabbalah • Reveals the mathematical code of the laws of all cosmic manifestation This landmark work by an innovative modern Kabbalist develops a scientific model for kabbalistic cosmology and soul psychology derived from the kabbalistic diagram of the Tree of Life and the author's own Sabbath Star diagram--a configuration of seven Star of David hexagrams. This geometric model begins with the four worlds of the classical Kabbalah, which bring us to the present time and birthright level of the soul, and is then expanded to three higher enclosing worlds or levels of evolving consciousness. The Sabbath Star diagram therefore accommodates both the emanationist cosmology of the earlier Zoharic Kabbalah and the future orientation of the later Kabbalah of Isaac Luria. The hexagram elements that construct each expansion of the Sabbath Star diagram configure the cosmic stages of each of its “worlds.” The matrix that is produced by these construction elements configures the level of the multi-dimensional soul that is correlated with each cosmic world. In its final stage, this model unites the finite and infinite halves of the Sabbatical world in a way that exemplifies the secret doctrine of the Kabbalah. Not only does this work offer a new, inclusive model for the Kabbalah but it also provides a basis for complexity theory, with its final extrapolation to infinity. The universality of this model is further shown by its applicability to such other domains as physics, sociology, linguistics, and human history. This universal model encodes the laws of all cosmic manifestation in terms that are particularly coherent with the formulations of the Kabbalah, giving a mathematical basis to many aspects of this mystical tradition and providing a new synthesis of science and spirituality for our time that may well write a new chapter to the Kabbalah.

Enrich your spiritual experience of Shabbat by exploring the writings of mystical masters of Hasidism. Drawing from some of the earliest teachings in the family of the Ba'al Shem Tov through late 19th-century Poland and the homilies of the Sefat 'Emet, Eitan Fishbane evokes the Sabbath experience, from candle lighting and donning white clothing to the Friday night Kiddush and the act of sacred eating.

As Light Before Dawn explores the mystical thought of Isaac ben Samuel of Akko, a major medieval kabbalist whose work has until now received relatively little attention. Through consideration of an extensive literary corpus, including much that still remains in manuscript, this study examines an array of themes and questions that have great applicability to the comparative study of mysticism and the broader study of religion. These include prayer and the nature of mystical experience; meditative concentration directed to God; and the power of mental intention, authority, creativity, and the transmission of wisdom.

Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.