The publication in 1988 of Salman Rushdie's novel The Satanic Verses triggered a furor that pitted much of the Islamic world against the West over issues of blasphemy and freedom of expression. The controversy soon took on the aspect of a confrontation of civilizations, provoking powerful emotions on a global level. It involved censorship, protests, riots, a break in diplomatic relations, culminating in the notorious Iranian edict calling for the death of the novelist. In The Rushdie Affair, Daniel Pipes explains why the publication of The Satanic Verses became a cataclysmic event with far-reaching political and social consequences.Pipes looks at the Rushdie affair in both its political and cultural aspects and shows in considerable detail what the fundamentalists perceived as so offensive in The Satanic Verses as against what Rushdie's novel actually said. Pipes explains how the book created a new crisis between Iran and the West at the time--disrupting international diplomacy, billions of dollars in trade, and prospects for the release of Western hostages in Lebanon.Pipes maps out the long-term implications of the crisis. If the Ayatollah so easily intimidated the West, can others do the same? Can millions of fundamentalist Muslims now living in the United States and Europe possibly be assimilated into a culture so alien to them? Insightful and brilliantly written, this volume provides a full understanding of one of the most significant events in recent years. Koenraad Elst's postscript reviews the enduring impact of the Rushdie affair.

Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.

This is a full account of the Rushdie affair pointing out how the crisis has focused attention on the cultural divide between the West and Muslim countries and secular and religious cultures.

The # 1 international bestseller A Finalist for the George Orwell Book Prize “It would be absurd to think that a book can cause riots,” Salman Rushdie asserted just months before the publication of his novel The Satanic Verses. But that’s exactly what eventually happened. In England, protests started just months after the book’s publication, with Muslim protestors, mainly from immigrant backgrounds, coming by the thousands from the outer suburbs of London and from England’s old industrial centers—places like Bradford, Bolton, and Macclesfield—to denounce Rushdie’s novel as blasphemous and to burn it. In February of 1988, the protests spread to Pakistan, where riots broke out, killing five. That same month, Iran’s Ayatollah Khomeini called for Rushdie’s assassination, and for the killing of anyone involved with the book’s publication. It was this frightening chain of events, Kenan Malik argues in his enlightened personal and political account of the period, that transformed the relationship between Islam and the West: From then on, Islam was a domestic issue for residents of Europe and the United States, a matter of terror and geopolitics that was no longer geographically constrained to the Middle East and South Asia. Malik investigates the communities from which the anti-Rushdie activists emerged, showing the subtleties of immigrant life in 1980s England. He depicts the growth of the anti-racist and Asian youth movements, and shows how young Britons went from supporting these progressive movements to embracing a conservative strain of Islam. Malik also controversially tackles England’s peculiar strain of “multiculturalism,” arguing that policymakers there failed to integrate Muslim immigrants, which many politicians saw as incompatible with their own “Western values.” It was a perception that led many to appeal to Muslims not as citizens, but as people whose primary loyalty was to their faith and who could be engaged only by their “community leaders.” It was a also policy that encouraged Muslims to view themselves as semi-detached citizens—and that inevitably played into the hands of radical Islamists. Twenty years later, the questions raised by the Rushdie affair—Islam’s relationship to the West, the meaning of multiculturalism, the limits of tolerance in a liberal society—have become the defining issues of our time.

Longlisted for the Orwell Prize for Books 2010 The Number 1 international bestseller updated and reissued. Almost thirty years ago, the image of burning copies of Salman Rushdie's The Satanic Verses held aloft by thousand-strong mobs of protesters became an internationally familiar symbol of anger and offence. In From Fatwa to Jihad, Kenan Malik reveals how the Rushdie affair transformed the debate worldwide on multiculturalism, tolerance and free speech, helped fuel the rise of radical Islam and pointed the way to the horrors of 9/11 and 7/7. In this new edition, Malik examines the rise of home-grown jihadis, the threat of IS-inspired terrorism in Europe and how the West has failed to learn the lessons of the past.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe