The Royal Palace of Palermo, today seat of the Sicilian Regional Assembly, is one of the symbols of Sicily and of the rich Sicilian and national patrimony. Formerly a fortress, then royal palace and finally building of government, the palace is today an

A study of the well known medieval royal chapel, constructed by Roger II, king of Sicily in the mid-twelfth century.

The Companion to Medieval Palermo offers a panorama of the history of Medieval Palermo from the sixth to the fifteenth century. Often described by contrast with the communal reality of Medieval Italy as submitted to a royal (external) authority, the city is here given back its density and creativity. Important themes such as artistic and literary productions, religious changes or political autonomy are thus explored anew. Some fields recently investigated are the object of particular scrutiny: the history of the Jews, Byzantine or Islamic Palermo are among them. Contributors are Annliese Nef, Vivien Prigent, Alessandra Bagnera, Mirella Cassarino, Rosi Di Liberto, Elena Pezzini, Henri Bresc, Igor Mineo, Laura Sciascia, Gian Luca Borghese, Sulamith Brodbeck, Benoît Grévin, Giuseppe Mandalà, and Fabrizio Titone.

The first systematic study of the practice of royal self-coronations from late antiquity to the present.

"Margaret of Navarre was the most powerful woman in Europe for five years of the 12th century. This is the first biography of the descendant of El Cid and friend of Thomas Becket who became Queen of Sicily, ruling a polyglot nation of Christians, Muslims and Jews. It is the story of a wife, mother and leader who inspired millions. Included are original translations from medieval chronicles and characters published here in English for the first time, and a chapter on Monreale Abbey, a jewel of Norman, Arab and Byzantine art." --Back cover.

When career-girl Veronica flies to Sicily for a friend's wedding, she accidentally falls in love with one of the groom's three-hundred cousins. A year later she has given up her job, house and friends, and is planning her own wedding with her Latin Lover in the shimmering heat of Sicily.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)