Who is the Roundabout Man? He doesn't look like a tramp, yet he lives on a roundabout in a caravan and survives on the leftovers from a nearby motorway service station. He calls himself Quinn, the name of a boy in a world-famous series of children's books, but he's nearer retirement than childhood. What he hopes no one will discover is that he's the real Quinn, immortalised as a child by his mother in her entrancing tales about a little boy's adventures with his triplet sisters. It is this inheritance he has successfully run away from - until now. When Quinn's reclusive existence is invaded, he has to turn and face his past, and all the uncomfortable truths it contains about himself, his sisters and, most of all, his mother. By the author of Astonishing Splashes of Colour and The Man Who Disappeared, The Roundabout Man delivers a wittily observed slice of modern life as it plumbs the gulf between nostalgia and reality.

“A remarkable book, a vivid testimonial to the horrors of the Syrian civil war.”—Robert F. Worth, author of A Rage for Order: The Middle East in Turmoil Set in Aleppo in 2012, when everyday life was metronomically punctuated by steady bombing, Roundabout of Death offers powerful witness to the violence that obliterated the ancient city's rich layers of history, its neighborhoods, and its medieval and Ottoman architectural landmarks. The novel is told from the perspective of an ordinary man, a schoolteacher of Arabic for whom even daily errands become a life-threatening task. He experiences firsthand the wide-scale destruction wrought upon the monumental Syrian metropolis as it became the stage for a vicious struggle between warring powers. Death hovers ever closer while the teacher roams Aleppo’s streets and byways, minutely observing the perils of urban life in an uncanny twist on Baudelaire's flâneur. Navigating roadblocks and dodging sniper bullets on visits to his mother and sister in the rebel-held eastern sector of the city, the teacher clings to normality with a daily ritual of coffee with friends, where conversation is casually permeated by news of the latest blasts and demise. The novel, a literary edifice erected as an unflinching response to the painful erasure of the physical remnants of a once great city, speaks eloquently of the fragmentation of human existence, the oppressive rule of ISIS militants in nearby Raqqa, the calamities of war and its grinding emotional toll.

Set in the year 1948, this novel is about the life of two families during the inter-war years. Instead of seeing William at odds with adults, we are shown the matriarchs around whom their families spin; but whether they direct their children gently or forcefully, in the end they have to accept them as they are.

An instant New York Times bestseller! The second gripping novel in the New York Times bestselling Thursday Murder Club series, soon to be a major motion picture from Steven Spielberg at Amblin Entertainment “It’s taken a mere two books for Richard Osman to vault into the upper leagues of crime writers. . . The Man Who Died Twice. . . dives right into joyous fun." —The New York Times Book Review Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village. But they are out of luck. An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam. Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn’t bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them? And if they find the diamonds, too? Well, wouldn’t that be a bonus? You should never put anything beyond the Thursday Murder Club. Richard Osman is back with everyone’s favorite mystery-solving quartet, and the second installment of the Thursday Murder Club series is just as clever and warm as the first—an unputdownable, laugh-out-loud pleasure of a read.

"If one has the art, then a piece of celery or salted cabbage can be made into a marvelous delicacy; whereas if one has not the art, not all the greatest delicacies and rarities of land, sea, or sky are of any avail." --a Beijing cook, nineteenth century from Chinese Roundabout

In this gritty, fast-paced crime novel, a resilient ex-con seeks redemption and uncovers a web of high-stakes secrets as Detective Leonid McGill tries to prove her innocence. Zella Grisham never denied shooting her boyfriend. That’s not why she did eight years of hard time on a sixteen-year sentence. It’s that the shooting inadvertently led to charges of grand theft. Talk about bad luck. Leonid McGill has reasons to believe she’s innocent. But reopening the case is only serving to unsettle McGill’s private life even further—and expose a family secret that’s like a kick to the gut. As the case unfolds, as the truth of what happened eight years ago becomes more damning and more complex than anyone dreamed, McGill and Zella realize that everyone is guilty of something, and that sometimes the sins of the past can be too damaging to ever forget. Or ever forgive.