The Rose Thieves gives us the Vanderwald family: flamboyant, hot-tempered Lila, who feels trapped living in a small New England town; her sentimental, eternally optimistic husband, a failed futures-market investor; and their children. An affectionate daughter steals flowers from gardens all over town for her big sister's sixteenth birthday. A tea party for the local minister is turned upside down by a four-year-old's remark. Sheep wander through the kitchen, an enraged mother swan menaces the sisters as their own mother entertains a possible lover, and, after a near-disaster, Lila proclaims "We faced death; death couldn't face us!" Amidst the chaos, Kate, the oldest daughter, practices piano because "Haydn will give order to everything, if only you play him right." With wit, natural artistry, and a keen eye for the absurd, Heidi Jon Schmidt effortlessly weaves stories of strange but all-too-real family life.

The Romaunt of the Rose translates in abridged form a long dream vision, part elegant romance, part rollicking satire, written in France during the thirteenth century. The French original, Le Roman de la Rose, had a profound influence on Chaucer, who says he translated the work. From the sixteenth century to the mid-nineteenth, scholars assumed that the Romaunt comprised large fragments of that translation. Subsequent debates have divided the Romaunt into two or three segments, and proffered arguments that Chaucer was responsible for one or more of them, or for none. The current consensus is that he almost certainly wrote the first 1,705 lines. Charles Dahlberg’s edition of the Romaunt provides a full summary of scholarship on the question of authorship as well as other important topics, including a useful survey of the influence of the French poem on Chaucer.

The story of a mother and daughter in an idyllic Cape Cod town... On a freezing January night, LaRee Farnham answers a knock at her door to find a policewoman holding three-year-old Vita Gray, whose mother has just been murdered a few miles away. LaRee raises Vita with fierce love and attention, at the same time trying to shield her from the aftermath of the murder, which has deeply divided the histoiric village of Oyster Creek. Born out of wedlock, Vita is the product of the town's two very different cultures: the hard-working fishing families of Portuguese descent and the "washashores" from the mainland, who've drifted to the coast for its beauty. At sixteen, Vita is shy and isolated, estranged from her father, and bullied at school, but she is determined to come out of herself, step-by-step. When the shocking details of her past surface suddenly, Vita feels utterly betrayed by those closest to her, and the fraught tension between Oyster Creek's two cultures comes to a head. LaRee must ask hard questions about herself as a mother, while Vita turns to unexpected avenues to find meaning and discovers that the truth is almost never found in black-and-white...

Unravels Umberto Eco's classic mystery novel

The O Thief is a novel about family, about disappointment, about growing up. It is about life itself.

The historical literature of political deviance is sparse. This unusual work, chronicling the history of Jonathan Wild, represents an effort to come to terms with one of the more amazing characters of English social history. Wild was both part of the policy system in eighteenth-century England, and also one of the most adroit criminals of the age. In the 1720s, London suffered the worst crime waves in its history. Civic corruption took place on a staggering scale. The government's answer was to pay a bounty for the capture of robbers, thus creating a class of professional informers. Wild was applauded as the most efficient thief hunter and gang breaker in British society; but his own posse of thief catchers was basically a front behind which he was able to control the underground world, through a complex system of blackmail, perjury, and terror which the book details. All who opposed him were betrayed to the law, and in the struggle for power Wild sacrificed several hundred of his own people to the hangman. No one since his time, with the exception of Lavrenti Beria of the late Stalin era GPU so nearly succeeded in bringing the underworld under the control of one system of power. At one level, this is a biography of the world's first supercriminal. At another, it is a sociology of criminal behavior and its political consequences. Howson sheds fresh light, not only on a figure who has become famous in literature, but more important, on the entire structure of gang life. The book is written "as a "terrifying and fascinating study of a historical epoch; it also offers a completely fresh picture of the birth of modern organized-crime families as part of modern organized political systems.