After her mother's abandonment of her son and the annulment of the marriage, the arranged marriage was also used as a ring, and Lin was not very satisfied with the result. That ice-cold face, she really did despise it. However, that person's face was cold on the surface, but his inner body was like a flame that ignited her within minutes. From then on, her entire life seemed to have been set on fire, catching her off guard.

Her previous life had been wrong, but this life had been changed. In this life, she rubbed her eyes, not giving up on following her husband, giving him a good baby, while also turning the family life into a fiery red. In his previous life, his first love had been tangled up with him and he kicked her away. His mother had been deceived by him in his previous life, but in this life, he had always been very meticulous. Who was a human? Who was the ghost? He could see it clearly!

In the 21st century, the Mercantile Iron Lady Kang-ying transmigrated to the peasant woman Kang-ying of the 1990s. Kang-ying was honest and kind, married for three years without ever getting married, after sparring with her husband and mother-in-law. After changing the "core", the forsaken woman Kang Sai first got rid of the top quality husband family, and then began the business to earn a lot of money, married the man's life!

For the past 40 years, Russell Edson has been producing a body of work unique in its perspective and singular in its approach. He is, arguably, America's most distinguished writer of prose poems. Here are contorted Darwinian narratives of apes and monkeys exhibiting absurdly human behavior, along with his usual menagerie of elephants, horses, chickens, roosters, dogs, mermaids and mice. Along with his trademark humor, The Rooster's Wife finds Edson contemplating age, mortality and immortality as well. Of Memory and Distance It's a scientific fact that anyone entering the distance will grow smaller as he proceeds. Eventually becoming so small he might only be found with a microscope, if indeed he is found at all. But there is a vanishing point, where anyone having entered the distance must disappear entirely without hope of his ever returning, leaving only the memory of his ever having been. But then there is fiction, so that one can never really be sure if one is remembering someone who vanished into the distance, or simply who had been made of paper and ink . . . Russell Edson has been called a surrealist comic genius, a magician of metaphor and imagination. He is all of these, and a philosophical poet whose zany expeditions into the twisted labyrinths of logic resemble Lewis Carroll's adventures through the wonderlands of paradox and illusion. Perhaps that is why even people who do not read significant amounts of contemporary poetry can immediately appreciate the playful accessibility of Russell Edson's writing. What he pulls out of the hat of the subconscious is always unpredictable, immediate and surprising. Russell Edson's books include The Very Thing That Happens (1964); The Childhood of an Equestrian (1973); The Tunnel: Selected Poems (1994); and The House of Sara Loo (Rain Taxi Chapbook Series, 2002). He lives in Darien, Connecticut.

Winner of the Nobel Prize for Literature in 1982 for his masterpiece One Hundred Years of Solitude, Gabriel Garc^D'ia M^D'arquez had already earned tremendous respect and popularity in the years leading up to that honor, and remains, to date, an active and prolific writer. Readers are introduced to Garc^D'ia M^D'arquez with a vivid account of his fascinating life; from his friendships with poets and presidents, to his distinguished career as a journalist, novelist, and chronicler of the quintessential Latin American experience. This companion also helps students situate Garc^D'ia M^D'arquez within the canon of Western literature, exploring his contributions to the modern novel in general, and his forging of literary techniques, particularly magic realism, that have come to distinguish Latin American fiction. Full literary analysis is given for One Hundred Years of Solitude, as well as Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), two additional novels, and five of Garc^D'ia M^D'arquez's best short stories. Students are given guidance in understanding the historical contexts, as well as the characters and themes that recur in these interrelated works. Narrative technique and alternative critical perspectives are also explored for each work, helping readers fully appreciate the literary accomplishments of Gabriel Garc^D'ia M^D'arquez.

After 1855 the society's annual reports were included in its Proceedings.

Vol. 1 includes a memoir of Dr Draper and the early records of the Society (1849-54)