Structural linguists have focused on the morphological patternings of the Romance verb system, both from the point of view of systematizing variation and of mapping meaning on the form. Transformationalists, however, have tended to focus on the English auxiliaries. This book fills a gap in previous accounts by investigating the syntax of Romance verb-form usage, concerning both the verb itself and a simple sentence and such phenomena as sequence of tense in complex sentences. Adopting both a synchronic and diachronic perspective, and combining the approaches of structuralists and transformationalists, the author argues that there are still valid ideas to be drawn from the pre-Chomskyan concern with paradigmatic structure.

This book is the first comprehensive comparative-historical survey of patterns of alternation in the Romance verb that persist through time but have long ceased to be conditioned by any phonological or functional determinant. It explores the status of these patterns and their persistence, self-replication, and reinforcement over time.

This is a comprehensive comparative-historical survey of patterns of alternation in the Romance verb that persist through time but have long ceased to be conditioned by any phonological or functional determinant. The work explores the status of these patterns and their persistence, self-replication, and reinforcement over time.

This fresh, new approach to relationships goes beyond analyzing them to changing them, even if one partner isn't interested. Using a solution-oriented approach, the authors show readers how to break free of old patterns in days or weeks--rather than months or years--improve their sex lives, get over past hurts, and more. "An excellent resource for anyone who wants to have a healthy relationship".--Bernie Siegel, M.D.

This book provides a detailed account of verb movement across more than twenty standard and non-standard Romance varieties. Norma Schifano examines the position of the verb with respect to a wide selection of hierarchically-ordered adverbs, as laid out in Cinque's (1999) seminal work. She uses extensive empirical data to demonstrate that, contrary to traditional assumptions, it is possible to identify at least four distinct macro-typologies in the Romance languages: these macro-typologies stem from a compensatory mechanism between syntax and morphology in licensing the Tense, Aspect, and Mood interpretation of the verb. The volume adopts a hybrid cartographic/minimalist approach, in which cartography provides the empirical tools of investigation, and minimalist theory provides the technical motivations for the movement phenomena that are observed. It provides a valuable tool for the examination of fundamental morphosyntactic properties from a cross-Romance perspective, and constitutes a useful point of departure for further investigations into the nature and triggers of verb movement cross-linguistically.