Overbearing, avaricious and difficult, yet talented and ambitious, George Brydges Rodney has never attracted much sympathy or understanding. He was nevertheless an original thinker and one of the great admirals of the eighteenth century. The contents of this volume, the first of three, document his career from 1742 until 1763 - his private and political life. His early years as a captain were spent in the severe conditions of the North Sea and in taking privateers in the western approaches. During the peace after 1748 he was Governor of Newfoundland and in the Seven Years' War blockaded Le Havre before going, as a flag officer, to command in the Leeward Islands where he participated in the capture of Martinique. This volume also contains letters to his wife which indicate, against past opinion, that Rodney had a heart.

“A call to arms in the class struggle for racial equity”—the hugely influential work of political theory and history, now powerfully introduced by Angela Davis (Los Angeles Review of Books). This legendary classic on European colonialism in Africa stands alongside C.L.R. James’ Black Jacobins, Eric Williams’ Capitalism & Slavery, and W.E.B. Dubois’ Black Reconstruction. In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance in Guyana, the 38-year-old Rodney would be assassinated. In his magnum opus, How Europe Underdeveloped Africa, Rodney incisively argues that grasping "the great divergence" between the west and the rest can only be explained as the exploitation of the latter by the former. This meticulously researched analysis of the abiding repercussions of European colonialism on the continent of Africa has not only informed decades of scholarship and activism, it remains an indispensable study for grasping global inequality today.

"I have sat on a little oil drum, rusty and in the midst of garbage, and some black brothers and I have grounded together." - Walter Rodney In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance in Guyana, the 38-year-old Rodney would be assassinated. In this classic work published in the heady days of international black power, Groundings with My Brothers details the global circulation of emancipatory ideas, but also offers first-hand reports of Rodney's mass movement organizing. Introduced and contextualized by leading Caribbean scholar-activists, this updated edition brings Rodney's legacy to a new generation of radicals.

In the tradition of Richard Avedon and Irving Penn, Rodney Smith has a signature, timeless style. This dazzling collection, now in paperback and with a framable print, celebrates 50 years of Smith's photography. Rodney Smith bridges the gap between commercial photography and art, between the real world we live in and the artist's world of the imagination. His images--silhouettes and skylines, a man in a hat, elegant women in lush gardens--are by now familiar to us. Rodney Smith Photographs presents the man behind the photographs. A selection of pictures spanning four decades, organized thematically, stand alongside personal reflections drawn from Smith's popular blog. It reveals that the photographer's signature style is the product of his unusual background, his unique perspective, and his many years of self-analysis: in short, Smith's photographs are also pictures of their creator.

"This catalogue accompanies the inaugural Suzanne Deal Booth Art Prize and the exhibition: Rodney McMillian: Against a Civic Death, The Contemporary Austin-Jones Center, February 1-August 26, 2018"--Flyleaf.