At rodeos in the 1940s, Gene Autry sang and jumped his horse, Champion, through a flaming hoop. In 1960s rodeo arenas, Lorne Greene and Dan Blocker acted out a skit from their hit television show Bonanza. In the same era familiar rodeo personalities like Hoot Gibson and Slim Pickens could be seen in movies or television shows. This book profiles performers who crossed over between film studio and rodeo arena when Hollywood and the rodeo circuit were closely linked. The first part traces the careers of rodeo participants who also contributed to film or television. The next two sections describe rodeo appearances of Western screen stars who entertained at rodeos. Some appeared solo and others with a television co-star or two. A fourth section summarizes rodeo-related films. Appendices introduce golden age rodeo personalities and outline rodeos known for presenting Western stars.

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

"Under the landmark yellow and white striped awnings of Giorgio Beverly Hills, he transformed a sleepy, ordinary main street of an otherwise well-heeled "village" into one of the top platinum shopping attractions among the international jet set"--Publisher's web site.

Rodeo legend, actor and stuntman Yakima Canutt blazed a trail as a champion bronco buster and rode to fame as a collaborator with John Wayne, who claimed to borrow his on-screen persona from Canutt's real one. This memoir, as told to John Crawford, relates Canutt's years on the rodeo circuit, his roles in silent westerns, and his craftsmanship in movie stunts on such epics as Stagecoach and Ben-Hur, as well as his family life and friendships.

A unique and gifted actor once bucked the system in Hollywood. This is the life story of movie and TV actor Dale Robertson, told by the person who knew him best: his wife, Susan. Susan says she is not a professional writer but wanted to write this book totally herself with her own thoughts, ideas, time frame, and no ghost writer. She laughs when someone says, "Well, you are a writer now." As she states in the book, Dale would joke when someone would approach him to do his autobiography. He'd say, "Not now." It was because he did not know how it ended. Also he would remind them of all the thousands of interviews he had done over the years and to "let the younger actors do these interviews now." Because the autobiography had not been done, Susan wanted to do it to help in some way to preserve his legacy. Susan now resides in San Diego, California, to be closer to family and hopes folks will enjoy the book. She knows her husband better and that he did not compromise himself in the film industry and in life.

'Hillbilly Hollywood' is the first serious look at the origins of country & Western style in California in the 1930s and '40s and the stories of the tailors Nudie and Turk. We may think of Nashville as the country & Western capital of America, but L.A. had more hillbilly singers at work in the early years--in the movies, at the recording studios and on C&W radio shows. The style adopted by these music pioneers, a colorful mix of cowboy and show business, still defines fancy Western wear. Book cover has real rhinestones on a black cowboy-shirt-like cloth background and a die-cut frame over vintage photograph. Winner of many design awards.

“Do you think you could teach Rock Hudson to talk like you do?” The question came from famed Hollywood director George Stevens, and an affirmative answer propelled Bob Hinkle into a fifty-year career in Hollywood as a speech coach, actor, producer, director, and friend to the stars. Along the way, Hinkle helped Rock Hudson, Dennis Hopper, Carroll Baker, and Mercedes McCambridge talk like Texans for the 1956 epic film Giant. He also helped create the character Jett Rink with James Dean, who became a best friend, and he consoled Elizabeth Taylor personally when Dean was killed in a tragic car accident before the film was released. A few years later, Paul Newman asked Hinkle to do for him what he’d done for James Dean. The result was Newman’s powerful portrayal of a Texas no-good in the Academy Award–winning film Hud (1963). Hinkle could—and did—stop by the LBJ Ranch to exchange pleasantries with the president of the United States. He did likewise with Elvis Presley at Graceland. Good friends with Robert Wagner, Hinkle even taught Wagner’s wife Natalie Wood how to throw a rope. He appeared in numerous television series, including Gunsmoke, Bonanza, Dragnet, and Walker, Texas Ranger. On a handshake, he worked as country music legend Marty Robbins’s manager, and he helped Evel Knievel rise to fame. From his birth in Brownfield, Texas, to a family so poor “they could only afford a tumbleweed as a pet,” Hinkle went on to gain acclaim in Hollywood. Through it all, he remained the salty, down-to-earth former rodeo cowboy from West Texas who could talk his way into—or out of—most any situation. More than forty photographs, including rare behind-the-scenes glimpses of the stars Hinkle met and befriended along the way, complement this rousing, never-dull memoir.