Experienced birder Sallie Wolfe provides a peek into her creative process, sharing notes, verses, sketches, and paintings from her own notebooks. A beautiful blend of factual information and creative inspiration offers birders and artists alike a giftable collection of poetry, a compact guide, and an invitation to journal. At first glance, The Robin Makes a Laughing Sound centers on bird identification and behavior. But look more carefully: journaling helps us observe, think evaluate record, and create. Sallie's words capture the light of early spring when robins return to newly budding trees, list the species that come and go, note how West Nile virus affects her backyard population, and even find a rhyme for suet—there's nothing to it.

Presents observations made through every season of the year of different birds and their behavior, from robins taking a bath, to cardinals searching for food in the snow, to an owl perched on a tree at night.

Illustrations and simple rhyming text tell the story of a big truck that gets stuck under a bridge.

Kids will love this cumulative and hysterical read-aloud that features a free downloadable song "I was walking down the road and I saw... a donkey, Hee Haw And he only had three legs He was a wonky donkey." Children will be in fits of laughter with this perfect read-aloud tale of an endearing donkey. By the book's final page, readers end up with a spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey Download the free song at www.scholastic.com/wonkydonkey.

This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.

Succinct and factual text follows chimney swifts as they arrive on a Texas farm, build their nest, lay eggs, ready for fledglings to take flight, and eventually prepare to migrate back to South America. In a parallel, wordless story, a mom, dad, and young girl on the farm watch the chimney swifts throughout the summer and fall, even as they build a new crib and ready for the new baby they're expecting. As they enjoy their baby's first months, they also celebrate the fledglings' first flight and bid the birds good-bye until next year. Nicole Gsell's soft illustrations follow the tales of both families—bird and human—from each unique perspective. A beautiful addition to bird lovers' collections, as well as classrooms and libraries.

NEW YORK TIMES BESTSELLER • From the governor of Maryland, the “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison. The chilling truth is that his story could have been mine. The tragedy is that my story could have been his. In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore. Wes just couldn’t shake off the unsettling coincidence, or the inkling that the two shared much more than space in the same newspaper. After following the story of the robbery, the manhunt, and the trial to its conclusion, he wrote a letter to the other Wes, now a convicted murderer serving a life sentence without the possibility of parole. His letter tentatively asked the questions that had been haunting him: Who are you? How did this happen? That letter led to a correspondence and relationship that have lasted for several years. Over dozens of letters and prison visits, Wes discovered that the other Wes had had a life not unlike his own: Both had had difficult childhoods, both were fatherless; they’d hung out on similar corners with similar crews, and both had run into trouble with the police. At each stage of their young lives they had come across similar moments of decision, yet their choices would lead them to astonishingly different destinies. Told in alternating dramatic narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.