With the help of anecdotes, this book aims to recreate the lives and times of the playwrights and actors such as, Shakespeare, Christopher Marlowe, and Jonson, as well as the world in which they lived from 1578 when Burbage built the first 'purpose built' theatre to 1620 when the great age came to its end.

One play, two murders and a grievous miscarriage of justice After a calamitous performance and the death of one of their own, Lord Westfield's Men are more than despondent. So when the mysterious Simon Chaloner follows Nicholas Bracewell home with an offer of a new play, anonymously penned, his offer seems too good to refuse. It is a story of a simple death used to conceal a greater treachery, perhaps even treason. But they could never have known how dangerous one play could be. Or how telling the tale of a murdered mathematician might put them all in jeopardy. It is up to Nick to once more save the acting troupe from disaster, to reveal the traitor that threatens both Queen and country, and to prove who really killed The Roaring Boy.

A novel about Shakespeare and his players.

This fascinating collection of articles examines the legacy of John Wilson, a scholar who has received international acclaim for his insightful work in philosophy and education. Each essay focuses on a particular topic that Wilson examined throughout his career. The subjects addressed include the problems and prospects of analytical philosophy, the basis of moral education, and educational research. In the final chapter, Wilson responds to the various contributors that he has inspired, noting points of agreement and disagreement with each. This unique collection will appeal to scholars focusing on educational theory and practice as well as those interested in the field of moral education.

In the late 1580s a new kind of entertainment flowered in London: professional theatre, with its custom built playhouses, professional companies, incredible staging and, last but not least, the new writers, poets, playwrights - the roaring boys. To ambitious young writers, London was a magnet offering the possibility of fame, excitement, wealth and opportunity beyond their wildest dreams. Arriving in London from quite ordinary backgrounds - Marlowe was the son of a shoemaker, Shakespeare's family were leather workers, Jonson's stepfather a bricklayer - they suddenly found themselves feted, offered large sums of money, the darlings of audiences - and they created drama off stage as well as on. Like footballer and media celebrtities of today, they behaved like the stars they thought themselves to be - drinking with wild abandon, partying, courting publicity - their reputations growing in the telling. Some set out to shock; some drank too much; some, like Christopher Marlowe, became...