After some unexpected life detours, Callie Lewes is determined to complete her PhD program and figure out what to do with the rest of her life. Her laser focus is finely tuned and she’s ready for total immersion in literature, subpar student essays, and all the joys that come with being a graduate teaching assistant. She has no time for, or interest in, anything else. Especially not dating. Even if Callie were to entertain the idea of dating, she’s certain it would be with someone vibrant, open, and close to her own age. Definitely not someone like Dr. Kate Jory, a new member of Pennbrook College’s English department. Kate is both intimidating and a closed book. And the age difference between them is not small. But Kate is also brilliant and fascinating, and Callie is drawn to her in ways she’d never imagined possible. Not that Kate notices. Or does she? Callie can’t tell. Even though they develop an engaging and flirtatious friendship, Callie struggles to work up the courage to put herself directly in Kate’s romantic path—wary of the type of fire she suspects their sparks could ignite.

A sweeping historical romance that is “gripping, tragic, yet filled with passion and hope” (Kate Quinn, New York Times bestselling author), offering a vivid and unique portrayal of life in war-torn 1941 Bucharest during World War II and its aftermath—perfect for fans of Lilac Girls and Sarah’s Key. On a freezing night in January 1941, a little Jewish girl is found on the steps of an apartment building in Bucharest. With Romania recently allied with the Nazis, the Jewish population is in grave danger so the girl is placed in an orphanage and eventually adopted by a wealthy childless couple who name her Natalia. As she assimilates into her new life, she all but forgets the parents who were forced to leave her behind. As a young woman in Soviet Romania, Natalia crosses paths with Victor—an important official in the Communist regime that she used to know as an impoverished young student. Now they are fatefully drawn into a passionate affair despite the obstacles swirling around them and Victor’s dark secrets. When Natalia is suddenly offered a one-time chance at freedom, Victor is determined to help her escape, even if it means losing her. Natalia must make an agonizing decision: remain in Bucharest with her beloved adoptive parents and the man she has come to love, or seize the chance to finally live life on her own terms, and to confront the painful enigma of her past. The Girl They Left Behind “is a vividly told, beautifully written, impossible-but-true story” (Helen Bryan, internationally bestselling author of War Brides) that you won’t soon forget.

To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us. These radiated out across Europe, underpinning the internationalism of this unique Scottish-Italian artist's own extraordinary journey. Forty years later, the journey is renewed with this reproduction of Demarco's original artwork and his first Meikle Seggie essay, along with a new translation into Italian and a new introduction.

Nicole Callahan is certain she has endured the worst heartbreak possible, and she’s in no hurry to dive back into the tumultuous waters of love. She insists that she’s absolutely fine being alone, but a part of her still wonders… To Avery Pullman, owner of a flower shop filled with thorns less prickly than her exes, the idea of love is just a disaster waiting to happen. She sees no reason to invite pain in, especially when she’s still tending to fresh wounds on her heart. Neither expects—nor wants—the tiny spark that ignites the moment their eyes lock. If they get too close to it, they might each have to face an uncomfortable truth—that they’ve never really known true love before. And that might be more terrifying than any heartbreak.