Carter attempts to reconstruct the "classical" reading of renga (linked verse) using extant rulebooks from the time, approximating in every way possible the manner in which it was read in its own time and place. The result is a rare glimpse into the literary conssciousness of the medieval Japanese that seems paradoxically modern in its insistence on the final indeterminancy of poetic meaning.Includes a full translation of the 1501 rulebook along with an annotated translation of a solo renga sequence composed in 1492 by Shōhaku's teacher and mentor, Sōgi.

Shōtetsu monogatari was written by a disciple of Shōtetsu (1381–1459), whom many scholars regard as the last great poet of the courtly tradition. The work provides information about the practice of poetry during the 14th and 15th centuries, including anecdotes about famous poets, advice on how to treat certain standard topics, and lessons in etiquette when attending or participating in poetry contests and gatherings. But unlike the many other works of that time that stop at that level, Shōtetsu’s contributions to medieval aesthetics gained prominence, showing him as a worthy heir—both as poet and thinker—to the legacy of the great poet-critic Fujiwara no Teika (1162–1241). The last project of the late Robert H. Brower, Conversations with Shôtetsu provides a translation of the complete Nihon koten bungaku taikei text, as edited by Hisamatsu Sen'ichi. Steven D. Carter has annotated the translation and provided an introduction that details Shôtetsu’s life, his place in the poetic circles of his day, and the relationship of his work to the larger poetic tradition of medieval Japan. Conversations with Shōtetsu is important reading for anyone interested in medieval Japanese literature and culture, in poetry, and in aesthetics. It provides a unique look at the literary world of late medieval Japan.

Twenty eight years after the collapse of the Ming dynasty, Ming loyalism was still a strong political and intellectual resistance to the new Manch order. Consists of eight chapters, two appendices, notes, bibliography, glossary, and index. Shui-hu hou-chuan,first published in 1664, is the work of Ch'en Ch'en, a man loyal to the Ming, who used this novel as a way of giving covert expression to the frustrations of those times. In The Margins of Utopia,,Ellen Widmer draws on contemporary sources, including Ch'en's own poetry, to connect Shui-hu hou-chuan with the historical context from which it emerged. At the same time, she discusses the place of the novel in the history of Chinese fiction and shows how familiar conventions are put to new uses in Ch'en's hands.

In 1996 over 16 million people visited Tokyo Disneyland, making it the most popular of the many theme parks in Japan. Since it opened in 1983, Tokyo Disneyland has been analyzed mainly as an example of the globalization of the American leisure industry and its organizational culture, particularly the "company manual." By looking at how Tokyo Disneyland is experienced by employees, management, and visitors, Aviad Raz shows that it is much more an example of successful importation, adaptation, and domestication and that it has succeeded precisely because it has become Japanese even while marketing itself as foreign. Rather than being an agent of Americanization, Tokyo Disneyland is a simulated "America" showcased by and for the Japanese. It is an "America" with a Japanese meaning.

For Japan, as one of the victorious allies, World War I meant territorial gains in China and the Pacific. At the end of the war, however, Japan discovered that in modeling itself on imperial Germany since the nineteenth century, it had perhaps been imitating the wrong national example. Japanese policy debates during World War I, particularly the clash between proponents of greater democratization and those who argued for military expansion, thus became part of the ongoing discussion of national identity among Japanese elites. This study links two sets of concerns—the focus of recent studies of the nation on language, culture, education, and race; and the emphasis of diplomatic history on international developments—to show how political, diplomatic, and cultural concerns work together to shape national identity.

Arai Hakuseki, advisor to the sixth and seventh Tokugawa shogun, played an important role in Japanese politics between 1709 and 1716, during an era of large changes in the bakufu. He participated in major policy decisions on currency, foreign trade, and local administration, while simultaneously trying to enhance the shogun's authority both within the bakufu and as a national ruler. The following shogun retained Hakuseki's fiscal and trade policies, but promptly reversed those measures designed to make the shogun a king-like figure. Nakai examines these successes and failures against the background of the time, especially the bifurcated and ambiguous distribution of authority between the Tokugawa shogun and the tenno in Kyoto. She also traces the influence of Confucian political theory on Hakuseki's program and on his defense of that program in the face of criticism. Nakai draws upon Hakuseki's autobiography and diary and the reportorial letters of a contemporary for Hakuseki's political activities, and on Hakuseki's historical works and memorials for the theoretical basis for his programs, rooted in Confucianism. llustrative and lively translations from Hakuseki enrich the book, helping to portray a multi-faceted personality who managed to blend practical politics and Confucian idealism within the complicated and dynamic environment of the early-eighteenth-century bakufu.