In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.

From the filthy back streets of Dublin to the deserts of the Sudan to fight and die for the British Empire.Found guilty of stealing bread to feed his starving family, Michael McGuire is offered the "Queen's Hard Bargain", go to prison or join the Army. He chooses the Army and, after training in Dublin Castle, his life is changed forever as he is selected to join the 'Gordon Relief Expedition' that is being sent south of Egypt to Khartoum, in the Sudan.

Focusing on Greater Khartoum following South Sudanese independence in 2011, In-Betweenness in Greater Khartoum explores the impact on society of major political events in areas that are neither urban nor rural, public nor private. This volume uses these in-between spaces as a lens to analyze how these events, in combination with other processes, such as globalization and economic neo-liberalization, impact communities across the region. Drawing on original fieldwork and empirical data, the authors uncover the reshaping of new categories of people that reinforce old dichotomies and in doing so underscore a common Sudanese identity.

The handbook offers a concise introduction to all aspects of the country, rooted in a broad historical account of the development of the Sudanese state. --from publisher description

This study tells the story of how the British army went from rabble to crusaders beginning with the century that witnessed Britain's greatest imperial triumphs, and how institutional reforms helped to shape and alter public opinion.

A young woman sits by her father’s deathbed, lamenting her failure to keep a promise to him… A struggling writer walks every inch of the city in search of inspiration, only to find it is much closer than she imagined… A girl collapses from hunger at the side of the road and is rescued by the most unlikely of saviours... In this powerful, debut collection, Rania Mamoun expertly blends the real and imagined to create a rich, complex and moving portrait of contemporary Sudan. From painful encounters with loved ones to unexpected new friendships, Mamoun illuminates the breadth of human experience and explores, with humour and compassion, the alienation, isolation and estrangement that is urban life. Translated from the Arabic by Elisabeth Jaquette. One of World Literature Today's 75 Notable Translations of 2019. One of The Guardian's 'Top 10 books about Sudan'. One of Bustle's '25 New Short Story Collections To Read This Summer'. One of Bookshy Book's 'Ten-Plus Short Story Collections from Writers of African Origin'. It is a phenomental, exacting collection. It's intense and intimate, and always bordering, with absolute control, on the subversive and erotic. It's also very funny - Rania Mamoun is an extraordinary talent.' - Preti Taneja, author of We That Are Young ‘A stunning collection, remarkable for its sweet clarity of voice and startling depictions of the marginalised and the destitute. With mastery, Rania Mamoun reaches straight into the heartbeat of her subject matter, laying bare humanity in all its tenderness and tenacity.’ - Leila Aboulela, author of Elsewhere Home