A moving account of a mother and daughter who visit Germany to face the Holocaust tragedy that has caused their family decades of intergenerational trauma, from the author of Brothers, Sisters, Strangers Finalist for the National Jewish Book Award In 1938, when Edith Westerfeld was twelve, her parents sent her from Germany to America to escape the Nazis. Edith survived, but most of her family perished in the death camps. Unable to cope with the loss of her family and homeland, Edith closed the door on her past, refusing to discuss even the smallest details. Fifty-four years later, when the void of her childhood was consuming both her and her family, she returned to Stockstadt with her grown daughter Fern. For Edith the trip was a chance to reconnect and reconcile with her past; for Fern it was a chance to learn what lay behind her mother's silent grief. Together, they found a town that had dramatically changed on the surface, but which hid guilty secrets and lived in enduring denial. On their journey, Fern and her mother shared many extraordinary encounters with the townspeople and—more importantly—with one another, closing the divide that had long stood between them. Motherland is a story of learning to face the past, of remembering and honoring while looking forward and letting go. It is an account of the Holocaust’s lingering grip on its witnesses; it is also a loving story of mothers and daughters, roots, understanding, and, ultimately, healing.

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This shattering memoir by a journalist about his father’s attempt to survive the aftermath of Auschwitz in a small industrial town in Sweden won the prestigious August Prize On August 2, 1947 a young man gets off a train in a small Swedish town to begin his life anew. Having endured the ghetto of Lodz, the death camp at Auschwitz-Birkenau, the slave camps and transports during the final months of Nazi Germany, his final challenge is to survive the survival. In this intelligent and deeply moving book, Göran Rosenberg returns to his own childhood to tell the story of his father: walking at his side, holding his hand, trying to get close to him. It is also the story of the chasm between the world of the child, permeated by the optimism, progress, and collective oblivion of postwar Sweden, and the world of the father, darkened by the long shadows of the past.

Displaced is Linda Schwab's Holocaust memoir, a retelling of her experience surviving 18 months in a man-made cave, another year as an exile in Poland and Germany, and three years as a refugee in a displaced persons camp. Just six years old when a band of Nazi soldiers arrived in her tiny shtetl in Myadel, Poland, Linda observed atrocities no child ever needs to witness. With her parents and two brothers, during the summer of 1942, Linda was forcibly relocated into a ghetto where most of the Jewish men were led to the nearby forest and killed in a pogrom. After the massacre, Linda escaped with her family into the Ponar Forest, but only after evading Polish nationals and Nazis that patrolled Poland's countryside. Deep in the woods, Linda's family lived in a cave. They survived brutal winters, eluded partisan fighters that might force Linda's father to leave the family, and remained out of sight from Nazis and Polish police, who at one point, came only feet from their dugout.Written with historian Todd M. Mealy during a time when Holocaust deniers aim to rehabilitate the Nazi ideology and as roughly 400,000 survivors remain with us, Displaced presents Schwab's singular voice. Her narrative will help maintain-if not bolster-Holocaust knowledge, as her story of surviving the Polish wilderness during WWII and in a Displaced Persons Camp after the war is unique from most accounts. Displaced will inspire the rest of us to confront hatred in its many forms

Born under the influence of Nazi Germany, Robert Kahn's emotional journey plunges the reader through shifting shades of darkness and his eventual escape. This unusual and intriguing autobiography details a man's personal triumph while dealing with family, identity and traditions. His later contributions to the Department of Defense are startling in spite of his aversion to warfare. Written with honesty and determination - this autobiography contains no dramatization, only the rough edges of life.

Holocaust to Resistance, My Journey is a powerful, awe-inspiring memoir from author and activist Suzanne Berliner Weiss. Born to Jewish parents in Paris in 1941, Suzanne was hidden from the Nazis on a farm in rural France. Alone after the war, she lived in progressive-run orphanages, where she gained a belief in peace and brotherhood. Adoption by a New York family led to a tumultuous youth haunted by domestic conflict, fear of nuclear war and anti-communist repression, consignment to a detention home and magical steps toward relinking with her origins in Europe. At age seventeen, Suzanne became a lifelong social activist, engaged in student radicalization, the Cuban Revolution, and movements for Black Power, women’s liberation, peace in Vietnam and freedom for Palestine. Now nearing eighty, Suzanne tells how the ties of friendship, solidarity and resistance that saved her as a child speak to the needs of our planet today.

A cobblestone road. A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it. The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.