To be a major, prime-time six-part series Grantchester for PBS.

'Grantchester's answer to Alexander McCall Smith. The book brings a dollop of Midsomer Murders to the Church of England, together with a literate charm of its own' - Spectator 'A perfect accompaniment to a sunny afternoon, a hammock and a glass of Pimms' - Guardian 'Totally English, beautifully written, perfectly in period and wryly funny. More, please!' - Leslie Geddes Brown, Country Life _______________ 1955. Canon Sidney Chambers, loveable priest and part-time detective, is back. Accompanied by his faithful Labrador, Dickens, and the increasingly exasperated Inspector Geordie Keating, Sidney is called to investigate the unexpected fall of a Cambridge don from the roof of King's College Chapel, a case of arson at a glamour photographer's studio and the poisoning of Zafar Ali, Grantchester's finest spin bowler. Alongside his sleuthing, Sidney has other problems. Can he decide between his dear friend, the glamorous socialite Amanda Kendall and Hildegard Staunton, the beguiling German widow? To make up his mind Sidney takes a trip abroad, only to find himself trapped in a web of international espionage just as the Berlin Wall is going up. _______________ 'The series has a charming quaintness and deftly turning plot twists but what renders it unique as detective fiction is its overtly Christian content' - Arifa Akbar, Independent 'It takes a first-class writer to put together a convincing storyline for such unlikely circumstances. James Runcie does it admirably ... He is a good man in an imperfect world and we should welcome him to the ranks of classic detectives' - Daily Mail

Soon to be a major six-part series for ITV, GrantchesterIt is the 1960s and Canon Sidney Chambers is enjoying his first year of married life with his German bride Hildegard. But life in Grantchester rarely stays quiet for long. Our favourite clerical detective soon attempts to stop a serial killer who has a grievance against the clergy; investigates the disappearance of a famous painting after a distracting display of nudity by a French girl in an art gallery; uncovers the fact that an 'accidental' drowning on a film shoot may not have been so accidental after all; and discovers the reasons behind the theft of a baby from a hospital in the run-up to Christmas, 1963. In the meantime, Sidney wrestles with the problem of evil, attempts to fulfil the demands of Dickens, his faithful Labrador, and contemplates, as always, the nature of love. The third in 'The Grantchester Mysteries' series - six detective novels spanning thirty years of British history - these four longer stories are guaranteed to delight the many fans of Canon Sidney Chambers.

The loveable full-time priest and part-time detective, Canon Sidney Chambers, continues his sleuthing adventures in 1960's Cambridge. On a snowy Thursday morning in Lent 1964, a stranger seeks sanctuary in Grantchester's church, convinced he has murdered his wife. Sidney and his wife Hildegard go for a shooting weekend in the country and find their hostess has a sinister burn on her neck. Sidney's friend Amanda receives poison pen letters when at last she appears to be approaching matrimony. A firm of removal men 'accidentally' drop a Steinway piano on a musician's head outside a Cambridge college. During a cricket match, a group of schoolboys blow up their school Science Block. And on a family holiday in Florence, Sidney is accused of the theft of a priceless painting. Meanwhile, on the home front, Sidney's new curate Malcolm seems set to become rather irritatingly popular with the parish; his baby girl Anna learns to walk and talk; Hildegard longs to get an au pair and Sidney is offered a promotion. Entertaining, suspenseful, thoughtful, moving and deeply humane, these six new stories are bound to delight the clerical detective's many fans.

From acclaimed bestselling author James Runcie, a meditation on grief and music, told through the story of Bach's writing of the St. Matthew Passion. In 1727, Stefan Silbermann is a grief-stricken thirteen-year-old, struggling with the death of his mother and his removal to a school in distant Leipzig. Despite his father's insistence that he try not to think of his mother too much, Stefan is haunted by her absence, and, to make matters worse, he's bullied by his new classmates. But when the school's cantor, Johann Sebastian Bach, takes notice of his new pupil's beautiful singing voice and draws him from the choir to be a soloist, Stefan's life is permanently changed. Over the course of the next several months, and under Bach's careful tutelage, Stefan's musical skill progresses, and he is allowed to work as a copyist for Bach's many musical works. But mainly, drawn into Bach's family life and away from the cruelty in the dorms and the lonely hours of his mourning, Stefan begins to feel at home. When another tragedy strikes, this time in the Bach family, Stefan bears witness to the depths of grief, the horrors of death, the solace of religion, and the beauty that can spring from even the most profound losses. Joyous, revelatory, and deeply moving, The Great Passion is an imaginative tour de force that tells the story of what it was like to sing, play, and hear Bach's music for the very first time.

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.