First published in French in 1966, The Road Past Altamont pierces to the heart of a child's world, craeting a delicate, yet substantial network of impressions, emotions, and relationships. In her writing, Gabrielle Roy allowed "nothing extraneous or false to stand," according to the translator, Joyce Marshall. The literary style of Roy, whose fiction reflects her childhood on the Canadian prairie, has often been compared to that of Willa Cather.øThe Road Past Altamont takes a sensitive French-Canadian girl, Christine, from childhood innocence to maturity. Four connected stories reveal profound moments during her early years in the vastness of Manitoba. Christine's testament to Grandmother's creative power, her great adventure with an old gentleman at Lake Winnipeg and her clandestine one with a crude family of movers, her journey through time and space with aging Maman?all these characters and events convey Gabrielle Roy's preoccupation with childhood and old age, the passage of time and mystery of change, and the artist's relation to the world.

First published in French in 1966, The Road Past Altamont pierces to the heart of a child's world, craeting a delicate, yet substantial network of impressions, emotions, and relationships. In her writing, Gabrielle Roy allowed "nothing extraneous or false to stand," according to the translator, Joyce Marshall. The literary style of Roy, whose fiction reflects her childhood on the Canadian prairie, has often been compared to that of Willa Cather. The Road Past Altamont takes a sensitive French-Canadian girl, Christine, from childhood innocence to maturity. Four connected stories reveal profound moments during her early years in the vastness of Manitoba. Christine's testament to Grandmother's creative power, her great adventure with an old gentleman at Lake Winnipeg and her clandestine one with a crude family of movers, her journey through time and space with aging Maman - all these characters and events convey Gabrielle Roy's preoccupation with childhood and old age, the passage of time and mystery of change, and the artist's relation to the world.

Semiautobiographical and universal in appeal, Street of Riches is about a young girl's growing up in a suburb of Winnipeg, Manitoba. Here is Christine, the perceptive narrator of The Road Past Altamont (also a Bison Book), awakening to natural and sometimes terrifying beauty, to family history, to the nuances of social life, to sexuality, to selfhood. A mother's romantic yearning for freedom, a father's roving career as an immigration officer, a beautiful sister's early demise, a host of others in very human situations - all contribute to the way Christine will view the world as a writer. Gabrielle Roy has been called the Canadian Willa Cather because of their affinity in style and theme. Street of Riches won both the Governor-General's Award for Fiction and the French Prix Duvernay.

In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s. In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth—until now. Altamont explores rock’s darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show—from the Stones’ hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening—to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead’s role in the events leading to Altamont, examining the band’s behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security. The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.

A “straight-dope, tell-all account” of touring with two of the world’s greatest bands of the 60s and 70s—A “fast-moving narrative of rock-n-roll excess” (Publishers Weekly). In this all-access memoir of the psychedelic era, Sam Cutler recounts his life as tour manager for the Rolling Stones and the Grateful Dead—whom he calls the yin and yang of bands. After working with the Rolling Stones at their historic Hyde Park concert in 1969, Sam managed their American tour later that year, when he famously dubbed them “The Greatest Rock Band in the World.” And he was caught in the middle as their triumph took a tragic turn during a free concert at the Altamont Speedway in California, where a man in the crowd was killed by the Hell’s Angels. After that, Sam took up with the fun-loving Grateful Dead, managing their tours and finances, and taking part in their endless hijinks on the road. With intimate portraits of other stars of the time—including Janis Joplin, Jimi Hendrix, the Band, the Allman Brothers, Pink Floyd, and Eric Clapton—this memoir is a treasure trove of insights and anecdotes that bring some of rock’s greatest legends to life.

A family in the Saint-Henri slums of Montreal struggles to overcome poverty and ignorance while searching for love.

In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity