From the antiquity of Homer to yesterday's Naked Lunch, writers have found inspiration, and readers have lost themselves, in a world of the imagination tinged and oftentimes transformed by drugs. The age-old association of literature and drugs receives its first comprehensive treatment in this far-reaching work. Drawing on history, science, biography, literary analysis, and ethnography, Marcus Boon shows that the concept of drugs is fundamentally interdisciplinary, and reveals how different sets of connections between disciplines configure each drug's unique history. In chapters on opiates, anesthetics, cannabis, stimulants, and psychedelics, Boon traces the history of the relationship between writers and specific drugs, and between these drugs and literary and philosophical traditions. With reference to the usual suspects from De Quincey to Freud to Irvine Welsh and with revelations about others such as Milton, Voltaire, Thoreau, and Sartre, The Road of Excess provides a novel and persuasive characterization of the "effects" of each class of drug--linking narcotic addiction to Gnostic spirituality, stimulant use to writing machines, anesthesia to transcendental philosophy, and psychedelics to the problem of the imaginary itself. Creating a vast network of texts, personalities, and chemicals, the book reveals the ways in which minute shifts among these elements have resulted in "drugs" and "literature" as we conceive of them today.

William Blake once wrote that "The road of excess leads to the palace of wisdom." Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, "roads of excess," which can both lead to important insights into these scholars' works and point us to our own "palaces of wisdom." In his new book, Kripal addresses the twentieth-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics, and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism—Evelyn Underhill, Louis Massignon, R. C. Zaehner, Agehananda Bharati, and Elliot Wolfson—as well as relating his own mystical experiences. The result, Kripal finds, is seven "palaces of wisdom": the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation. An original and penetrating analysis of modern scholarship and scholars of mysticism, Roads of Excess, Palaces of Wisdom is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon.

Step into the visionary world of William Blake with his provocative work, The Marriage of Heaven and Hell." This groundbreaking text challenges conventional notions of good and evil, inviting readers to explore the intricate relationship between opposing forces in a quest for enlightenment. As Blake unfolds his revolutionary ideas, you’ll be confronted with the radical proposition that heaven and hell are not opposing realms but rather complementary aspects of the human experience. Are you prepared to question everything you thought you knew about morality and existence?Through a blend of poetry and vivid imagery, Blake dismantles the barriers between the sacred and the profane, urging readers to embrace their passions and desires as essential to the divine. His eloquent verses resonate with the pulse of life itself, capturing the essence of human struggle and aspiration. What if the key to understanding our true selves lies in embracing the chaos of our emotions? Blake's work compels you to acknowledge that love and sin are intertwined in the dance of life.Immerse yourself in the rich symbolism and innovative language of this iconic piece, where each line offers a new perspective on the eternal battle between light and darkness. Blake's brilliance challenges you to rethink the boundaries of art and philosophy. Are you ready to embark on a transformative journey that blurs the lines between heaven and hell? This is your opportunity to delve into a masterpiece that has inspired countless thinkers and artists.Seize the chance to own a copy of The Marriage of Heaven and Hell" now, and let Blake's visionary insights guide you towards a deeper understanding of the world and your place within it!

In ?Margins of Excess? the notion of how personal imagination conflicts with generally accepted beliefs is expressed through the narratives of six individuals. Every one of them momentarily received nationwide attention in the US press because of their attempts to realize a dream or passion, but were presented as frauds or deceivers by the mass media?s apparent incapacity to deal with idiosyncratic versions of reality.0The current era of ?post-truth?, in which truths, half-truths, lies, fiction or entertainment are easily interchanged, has produced a culture of ?hyper-individual truths?, demanding a new approach to identify the underlying narratives that structure our perception of reality in a world where there is no longer a generally accepted frame of realism. 0Embedding the stories of the six main protagonists into a clustering tale of cloned military dogs, religious apparitions, suspect vehicles, fake terrorist plots, accidental bombings and fictional presidents, this book follows an associative logic akin to the indiscriminate way a paranoid mind connects unrelated events, or the hysteria of the 24-second news cycle.

This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.