Lovely West Lake, near scenic Hangzhou on China’s east coast, has been celebrated as a major tourist site since the twelfth century. Now as then, visitors boat to its islands, stroll through its gardens, worship in its temples, and immortalize it in poetry and painting. Hangzhou and West Lake have long served as icons of Chinese landscape appreciation, literary and artistic expression, and tourism. In the first in-depth English-language study of this picturesque locale, Xiaolin Duan examines the interplay between human enterprise and the natural environment during the Song dynasty (960–1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou, making the area the national political and cultural center. West Lake became a model for idealized nature, fashioned by the diverse activities of its visitors. Duan shows how engagements in, on, and around West Lake influenced visitors’ conceptualization of nature and sparked the emergence of the lake as a tourist destination, highlighting how the natural landscape played a role in shaping social and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, The Rise of West Lake explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones.

"West Lake, near scenic Hangzhou on China's east coast, has been a major tourist site since the twelfth century and a model for idealized nature. Visitors boat to its islands, stroll through its gardens, worship in its temples, and celebrate it in poetry and painting. Xiaolin Duan examines the interplay between cultural norms and the natural environment around West Lake during the Song dynasty (960-1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou in 1127, making the area the national political and cultural center. Duan shows how leisure activities in, on, and around West Lake influenced visitors' conceptualization of nature and sparked the emergence of the lake as a tourist destination, and how the natural landscape played an active role in shaping social pursuits and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, she explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones. The book will appeal to readers interested in urban and environmental history, cultural geography, and the sociology of tourism"--

A hapless thief is drafted by a gang of nuns in need, in a novel by an Edgar Award winner who “has no peer in the realm of comic mystery novelists” (San Francisco Chronicle). It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns. Although decades removed from his Catholic orphanage, Dortmunder still trembles before the sisters’ habits. But these nuns are kinder than the ones he grew up with. They bandage his wound, let him rest, and don’t call the cops—for a price. The father of the youngest member of their order, disgusted by their vow of silence, has kidnapped his daughter, locked her in a tightly guarded penthouse apartment, and is attempting to convince her to renounce her faith. The nuns ask Dortmunder to rescue the girl. It’s an impossible assignment—but one he cannot refuse.

The People's West Lake examines the Chinese Communist Party's (CCP) efforts to reconfigure Hangzhou's urban space, alter the natural environment in West Lake (Xihu), and refashion the city's culture in post-1949 China. It pieces together five initiatives between the 1950s and the 1970s: the dredging of the lake, the construction of the public park of Watching Fish at the Flower Harbor (Huagang guanyu), the afforestation movement, the development of collectivized pig farming around West Lake, and the two campaigns to remove lakeside tombs. These projects were intended to generate visible and tangible results--a lake with a good depth, a scenic public garden, greener hills surrounding the lake, a growing swine population and rising productivity of fertilizer, and a tourist site cleansed of burial grounds--while also being readily subject to the Party's propaganda. These initiatives were designed both to achieve economic, cultural, and ecological utilities and to forge and popularize a sense of socialist nationhood. The CCP's endeavor to fundamentally transform the West Lake area also opened up possibilities for both human and nonhuman actors to variously benefit from, get along with, and undermine the political authorities' planning. This book thus emphatically foregrounds and unifies the agency of both humans and nonhuman entities that are not necessarily tied to intentionality, bringing into question the legitimacy of the human/nonhuman binary. Author Qiliang He explores the agency of both humans and nonhumans (including water, microbes, aquatic plants, the park, pigs, trees, pests, and tombs) to affect, deflect, and undercut the CCP's sociopolitical programs, thereby diminishing the efficacy of state propaganda. Highlighting the nonpurposive agency of both actors problematizes the long-held resistance-accommodation paradigm, which presumes the resisters' a priori subjectivities independent of the socialist system, in studying the state-society relationship in the People's Republic of China. Using a project-based approach, The People's West Lake gives the nature-human relationship in Mao's China (best known as Mao's "war against nature") historical and cultural specificities to reexamine the PRC regime's central planning and the issues related to it.

The Great Lakes are the largest collection of fresh surface water on earth, and more than 40 million Americans and Canadians live in their basin. Will we divert water from the Great Lakes, causing them to end up like Central Asia's Aral Sea, which has lost 90 percent of its surface area and 75 percent of its volume since 1960? Or will we come to see that unregulated water withdrawals are ultimately catastrophic? Peter Annin writes a fast-paced account of the people and stories behind these upcoming battles. Destined to be the definitive story for the general public as well as policymakers, The Great Lakes Water Wars is a balanced, comprehensive look behind the scenes at the conflicts and compromises that are the past-and future-of this unique resource.

China’s nouveau riche are purchasing billions of dollars of furniture built from endangered African rosewood. Responding to Western powers’ attempts to stop the trade, Annah Zhu uncovers Chinese initiatives to plant rosewood responsibly and shows how these efforts offer a new path forward for environmentalism in a world no longer ruled by the West.