"One of Thomas Crow's most influential titles, The Rise of the Sixties, provides an overview of the major themes and figures in the 1960s art world. Presenting an international array of artists against the background of world culture, Crow portrays the ways in which the American art scene - including such key figures as Leo Castelli, Eva Hesse, Jasper Johns, Robert Morris, Robert Smithson, Cy Twombly, and Andy Warhol - fit into the corresponding European and international movements of the time, among them Situationalism, Conceptualism, Feminism, Environmentalism, and Op Art." "Generously illustrated, the book encompasses all the major players in the art world of the 1960s and examines how they influenced and inspired one another, while struggling to have an impact on a world preoccupied with social crisis."--BOOK JACKET.

Thomas Crow's analysis of the art of the 1960s remains as fresh as ever as he expertly follows the broad range of artists working in Europe and America in the stormy years of the Civil Rights movement, the Vietnam War, and the counterculture. At a time when visual artists sought a variety of responses to the turmoil of the public sphere and struggled to have an impact on a world preoccupied with social crisis, Crow explores the relationship of politics to art, and shows how the rhetoric of one often informed - or subverted - the other. He also traces the emergence of a new aesthetic climate that challenged established notions of content, style, medium and audience.

The author examines here artists from Europe and America who worked through the civil rights movement, the Vietnam war, and the general social crises of the 1960s, and explores the relationship between art and politics.

This collection of original essays represents some of the most exciting ways in which historians are beginning to paint the 1960s onto the larger canvas of American history. While the first literature about this turbulent period was written largely by participants, many of the contributors to this volume are young scholars who came of age intellectually in the 1970s and 1980s and thus write from fresh perspectives. The essayists ask fundamental questions about how much America really changed in the 1960s and why certain changes took place. In separate chapters, they explore how the great issues of the decade--the war in Vietnam, race relations, youth culture, the status of women, the public role of private enterprise--were shaped by evolutions in the nature of cultural authority and political legitimacy. They argue that the whirlwind of events and problems we call the Sixties can only be understood in the context of the larger history of post-World War II America. Contents "Growth Liberalism in the Sixties: Great Societies at Home and Grand Designs Abroad," by Robert M. Collins "The American State and the Vietnam War: A Genealogy of Power," by Mary Sheila McMahon "And That's the Way It Was: The Vietnam War on the Network Nightly News," by Chester J. Pach, Jr. "Race, Ethnicity, and the Evolution of Political Legitimacy," by David R. Colburn and George E. Pozzetta "Nothing Distant about It: Women's Liberation and Sixties Radicalism," by Alice Echols "The New American Revolution: The Movement and Business," by Terry H. Anderson "Who'll Stop the Rain?: Youth Culture, Rock 'n' Roll, and Social Crises," by George Lipsitz "Sexual Revolution(s)," by Beth Bailey "The Politics of Civility," by Kenneth Cmiel "The Silent Majority and Talk about Revolution," by David Farber

What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.

This book covers the 1960's as part of the definitive history of American cinema from its emergence in the 1800s to the present day.

In Turning Right in the Sixties, Mary Brennan describes how conservative Americans from a variety of backgrounds, feeling disfranchised and ignored, joined forces to make their voices heard and by 1968 had gained enough power within the party to play the decisive role in determining who would be chosen as the presidential nominee. Building on Barry Goldwater's shortlived bid for the presidential nomination in 1960, Republican conservatives forged new coalitions, aided by an increasingly vocal conservative press, and began to organize at the grassroots level. Their goal was to nominate a conservative in the next election, and eventually they gained enough support to guarantee Goldwater the nomination in 1964. Liberal Republicans, as Brennan demonstrates, failed to stop this swing to the right. Brennan argues that Goldwater's loss to Lyndon Johnson in the general election has obscured the more significant fact that conservatives had wrestled control of the Republican Party from the moderates who had dominated it for years. The lessons conservatives learned in that campaign aided them in 1968 when they were able to force Richard Nixon to cast himself as a conservative candidate, says Brennan, and also laid the groundwork for Ronald Reagan's presidential victory in 1980.