A fascinating account of writings penned by early modern prisoners, including Thomas More, Lady Jane Grey and Thomas Wyatt.

The simple act of inscription, both minute and epic, can be a powerful tool to bear witness and give voice to those who are oppressed, silenced, and forgotten. In the eras of Hafiz al-Asad and his son Bashar, Syrian political dissidents have written extensively about their experiences of detention, both while in prison and afterwards. This body of writing, largely untranslated into English, is essential to understanding the oppositional political culture among dissidents since the 1970s—a culture that laid the foundation for the 2011 Syrian Revolution. The emergence of prison literature as a specific genre helped articulate opposition to authoritarian states, including the Asad regime. However, the significance of Syrian prison literature goes beyond a form of witnessing, expressing creative opposition, and illuminating the larger cultural and historical backstory of the Syrian uprising. Prison literature, in all its diversity, challenges the narrative structures and conventional language of human rights. In doing so, prison literature has played an essential role in generating the “experimental shift” in Arabic literature since the 1960s. Taleghani’s groundbreaking work explores prison writing’s critical role in resistance movements in Syria, the evolution of Arabic literature, and the development of a global human rights.

In Theology, Empowerment, and Prison Ministry Meins G.S. Coetsier offers a new account of Karl Rahner’s theological anthropology and the prison pastorate with a contemporary expansion for meaning, seeking an antidote to the suffering of those incarcerated with a “theology of empowerment.”

Contrary to common assumptions, medieval and early modern writers and poets often addressed the high value of freedom, whether we think of such fable authors as Marie de France or Ulrich Bonerius. Similarly, medieval history knows of numerous struggles by various peoples to maintain their own freedom or political independence. Nevertheless, as this study illustrates, throughout the pre-modern period, the loss of freedom could happen quite easily, affecting high and low (including kings and princes) and there are many literary texts and historical documents that address the problems of imprisonment and even enslavement (Georgius of Hungary, Johann Schiltberger, Hans Ulrich Krafft, etc.). Simultaneously, philosophers and theologians discussed intensively the fundamental question regarding free will (e.g., Augustine) and political freedom (e.g., John of Salisbury). Moreover, quite a large number of major pre-modern poets spent a long time in prison where they composed some of their major works (Boethius, Marco Polo, Charles d'Orléans, Thomas Malory, etc.). This book brings to light a vast range of relevant sources that confirm the existence of this fundamental and impactful discourse on freedom, imprisonment, and enslavement.

Male Friendship and Testimonies of Love in Shakespeare’s England reveals the complex and unfamiliar forms of friendship that existed between men in the late sixteenth century. Using the unpublished letter archive of the Elizabethan spy Anthony Bacon (1558-1601), it shows how Bacon negotiated a path through life that relied on the support of his friends, rather than the advantages and status that came with marriage. Through a set of case-studies focusing on the Inns of Court, the prison, the aristocratic great house and the spiritual connection between young and ardent Protestants, this book argues that the ‘friendship spaces’ of early modern England permitted the expression of male same-sex intimacy to a greater extent than has previously been acknowledged.

The early modern period in Britain was defined by tremendous upheaval - the upending of monarchy, the unsettling of church doctrine, and the pursuit of a new method of inquiry based on an inductive experimental model. Political Turmoil: Early Modern Literature in Transition, 1623–1660 offers an innovative and ambitious re-appraisal of seventeenth-century British literature and history. Each of the contributors attempts to address the 'how' and 'why' of aesthetic change by focusing on political and cultural transformations. Instead of forging a grand narrative of continuity, the contributors attempt to piece together the often complex web of factors and events that contributed to developments in literary form and matter - as well as the social and religious changes that literature sometimes helped to occasion. These twenty chapters, reading across traditional periodization, demonstrate that early modern literary works - when they were conceived, as they were created, and after they circulated - were, above all, involved in various types of transitions.

Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.