Historical account of the rise of African nationalism in reaction to racial policies and economic and racial discrimination (incl. In labour policy) in South Africa R - describes the formation, activities and political leadership of the African national congress political party from 1912 to 1952, and covers social movements, political problems, race relations, etc. Bibliography pp. 422 to 455.

'Professor Rotberg has given students of African history a detailed and thoroughly documented study of the creation of Malawi and Zambia and much information on the formation and collapse of the Federation of Rhodesia and Nyasaland. No other scholar has written so full and reliable an account of this recent and complex history. Rotberg had access to hitherto unused official archives and to private correspondence, sources that he supplemented by interviews with many of the European and African participants in the events of the last decades of a century of history. No one can read this story without being impressed by the dizzy speed of change in Africa.'-American Historical Review

Published in the year 1974, Nationalism in Asia and Africa is a valuable contribution to the field of Middle Eastern Studies.

An investigation into the phenomenon of Christian nationalism amongst the whites in South Africa and the simultaneous rise of the exclusive right wing society, the Afrikaner Broderbond.

Troubling Images explores how art and visual culture helped to secure hegemonic claims to the nation-state via the construction of a unified Afrikaner imaginary Emerging in the late nineteenth century and gaining currency in the 1930s and 1940s, Afrikaner nationalist fervour underpinned the establishment of white Afrikaner political and cultural domination during South Africa’s apartheid years. Focusing on manifestations of Afrikaner nationalism in paintings, sculptures, monuments, buildings, cartoons, photographs, illustrations and exhibitions, Troubling Images offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary, which helped secure hegemonic claims to the nation-state. This insightful volume examines the implications of metaphors and styles deployed in visual culture, and considers how the design, production, collecting and commissioning of objects, images and architecture were informed by Afrikaner nationalist imperatives and ideals. While some chapters focus only on instances of adherence to Afrikaner nationalism, others consider articulations of dissent and criticism. By ‘troubling’ these images: looking at them, teasing out their meanings, and connecting them to a political and social project that still has a major impact on the present moment, the authors engage with the ways in which an Afrikaner nationalist inheritance is understood and negotiated in contemporary South Africa. They examine the management of its material effects in contemporary art, in archives, the commemorative landscape and the built environment. Troubling Images adds to current debates about the histories and ideological underpinnings of nationalism and is particularly relevant in the current context of globalism and diaspora, resurgent nationalisms and calls for decolonisation.