Thundering Zeus uses an innovative, interdisciplinary approach to resolve one of the greatest puzzles in all of Hellenistic history. This book explores the remarkable rise of a Greek-ruled kingdom in ancient Bactria (modern Afghanistan) during the third century B.C. Diodotus I and II, whose dynasty emblazoned its coins with the dynamic image of Thundering Zeus, led this historic movement by breaking free of the Seleucid Empire and building a strong independent state in Central Asia. The chronology and crises that defined their reigns have been established here for the first time, and Frank Holt sets this new history into the larger context of Hellenistic studies. The best sources for understanding Hellenistic Bactria are archaeological, and they include a magnificent trove of coins. In addition to giving a history of Bactria, Thundering Zeus provides a catalog of these coins, as well as an introduction to the study of numismatics itself. Holt presents this fascinating material with the precision and acuity of a specialist and with the delight of an admirer, providing an up-to-date full catalog of known Diodotid coinage, and illustrating twenty-three coins. This succinct, energetic narrative thunders across the history of Hellenistic Bactria, exhuming coins, kingdoms, and customs as it goes. The result is a book that is both a history and a history of discovery, with much to offer those interested in ancient texts, archaeology, and coins.

"Delightful and learned, and written in a crisp and vigorous style, this book will be read with great interest and profit by both scholars and general readers." —Stanley Burstein, author of The Reign of Cleopatra

I.B.Tauris in association with the Iran Heritage Foundation Of profound importance in late antiquity,the Sasanian Empire is almost completely unknown today,except as a counterpoint to the Roman Empire.What are the reasons for this ignorance and why does the Sasanian Empire matter? In this brilliant and highly readable new history Touraj Daryaee fills a huge gap in our knowledge of world history.He examines the Sasanians'complex and colourful narrative and demonstrates their unique significance,not only for the development of Iranian civilisation but also for Roman and Islamic history. The Sasanians were the last of the ancient Persian dynasties and are best known as the preeminent practitioners of the Zoroastrian religion.From its foundation by Ardashir I in 224 CE, the Sasanian Empire was the dominant force in the Middle East for several centuries until its last king, Yazdgerd III, was defeated by the Muslim Arabs,whose horsemen swept away his seemingly far more powerful empire in the 7th century.Theirs was the first post Hellenic civilisation in the Near East to operate on an imperial scale and its sphere of influence and contact was unparalleled-from India to the Levant and from the Arabian Peninsula to the Caspian Sea. In this concise yet comprehensive new book,Touraj Daryaee provides an unrivalled account of Sasanian Persia.Drawing on extensive new sources he paints a vivid portrait of Sasanian life and unravels the divergent strands that contributed to the making of this great Empire:religion-not just Zoroastrianism but also Manichaeaism;the economy;administration;the multiple languages and their literature as well as the Empire's often neglected social history. Daryaee also explores - for the first time in an integrated book on the Sasanians-their descendants'attempts for more than a century after their defeat to establish a second state and reveals how their values and traditions have endured,both in Iranian popular culture and in the literary tradition of the Persian language and literature,to the present day. Sasanian Persia is a unique examination of a period of history that still has great significance for a full understanding of modern Iran.

This volume provides a thorough conspectus of the field of Graeco-Bactrian and Indo-Greek studies, mixing theoretical and historical surveys with critical and thought-provoking case studies in archaeology, history, literature and art. The chapters from this international group of experts showcase innovative methodologies, such as archaeological GIS, as well as providing accessible explanations of specialist techniques such as die studies of coins, and important theoretical perspectives, including postcolonial approaches to the Greeks in India. Chapters cover the region’s archaeology, written and numismatic sources, and a history of scholarship of the subject, as well as culture, identity and interactions with neighbouring empires, including India and China. The Graeco-Bactrian and Indo-Greek World is the go-to reference work on the field, and fulfils a serious need for an accessible, but also thorough and critically-informed, volume on the Graeco-Bactrian and Indo-Greek kingdoms. It provides an invaluable resource for anyone interested in the Hellenistic East.

In the aftermath of Alexander the Great’s conquests in the late fourth century B.C., Greek garrisons and settlements were established across Central Asia, through Bactria (modern-day Afghanistan) and into India. Over the next three hundred years, these settlements evolved into multiethnic, multilingual communities as much Greek as they were indigenous. To explore the lives and identities of the inhabitants of the Graeco-Bactrian and Indo-Greek kingdoms, Rachel Mairs marshals a variety of evidence, from archaeology, to coins, to documentary and historical texts. Looking particularly at the great city of Ai Khanoum, the only extensively excavated Hellenistic period urban site in Central Asia, Mairs explores how these ancient people lived, communicated, and understood themselves. Significant and original, The Hellenistic Far East will highlight Bactrian studies as an important part of our understanding of the ancient world.

South Asian religious art became codified during the Kuṣāṇa Period (ca. beginning of the 2nd to the mid 3rd century). Yet, to date, neither the chronology nor nature of Kuṣāṇa Art, marked by great diversity, is well understood. The Kuṣāṇa Empire was huge, stretching from Uzbekistan through northern India, and its multicultural artistic expressions became the fountainhead for much of South Asian Art. The premise of this book is that Kuṣāṇa Art achieves greater clarity through analyses of the arts and cultures of the Pre- Kuṣāṇa World, those lands becoming the Empire. Fourteen papers in this book by leading experts on regional topography and connective pathways; interregional, multicultural comparisons; art historical, archaeological, epigraphic, numismatic and textual studies represent the first coordinated effort having this focus.