In writing The Rise & Fall of Jimmy Wonderboy I hoped to examine my life and why certain things happened. By the end of the book, which I wrote over the course of a year. (One to three pages at a time while I was alone in my cell.) I would sit quietly, and on an old Brother typewriter, let my mind wander. I noticed during rewrites that I used humor to stop the pain of what I was thinkingof what I had done to my loved ones. I truly hope that after you read this book you will come to the conclusion that we need to address this crisis of abuse and quickly. Not necessarily by locking up the person but by helping the person on a mental-health level. It would be a wiser way to spend taxpayer money and keep the family unit together.

Lewis Nkosi is one of South Africa’s foremost writers and critics, and one of the few survivors of the exile generation dating from the Drum era. Up until now, however, no full length study has been done on his work. This is a gap in South African literary history and criticism that this book is intended to fill. Besides his well known earlier works, Nkosi is still very much an active writer as the publication in 2002 of his novel, Underground People, shows, with his latest novel due out in 2005. The timing of Still Beating the Drum, a book which intends to highlight and evaluate his extensive and varied oeuvre, is thus appropriate. Given Lewis Nkosi’s life trajectory, this volume will appeal to readers interested in South African and African literature, both in South Africa and abroad. Intended as a important critical resource on Lewis Nkosi, the book is divided into three parts: Part One collects papers from scholars around the world currently working on Nkosi’s work in various genres; Part Two reprints key articles from different moments in Nkosi’s critical writing, together with hitherto unpublished recent interviews with Nkosi; and Part Three provides the reader with a timeline and extensive bibliography for Lewis Nkosi, both invaluable resources for scholars working on Nkosi given the scattered nature of much of his more ephemeral writings in the past. Lewis Nkosi is an important figure in South African literature whose voice has been heard far and wide – this book aims to collect for critical consideration some of the echoes and reverberations his voice has generated.

Monograph on management strategy, comprising case studies of giant enterprises in the USA to illustrate the costly mistakes in decision making made by top management unprepared for or unconcerned with Innovation - covers planning, budgeting, product development, delegation, quality control, consumerism, the use of computers, accounting manipulations, business organizational change, etc.

The groundbreaking story of the National Women’s Football League, and the players whose spirit, rivalries, and tenacity changed the legacy of women’s sports forever. In 1967, a Cleveland promoter recruited a group of women to compete as a traveling football troupe. It was conceived as a gimmick—in the vein of the Harlem Globetrotters—but the women who signed up really wanted to play. And they were determined to win. Hail Mary chronicles the highs and lows of the National Women’s Football League, which took root in nineteen cities across the US over the course of two decades. Drawing on new interviews with former players from the Detroit Demons, the Toledo Troopers, the LA Dandelions, and more, Hail Mary brings us into the stadiums where they broke records, the small-town lesbian bars where they were recruited, and the backrooms where the league was formed, championed, and eventually shuttered. In an era of vibrant second wave feminism and Title IX activism, the athletes of the National Women’s Football League were boisterous pioneers on and off the field: you’ll be rooting for them from start to finish.

The first full-length narrative biography of Led Zeppelin's John Bonham, considered by many to be one of the greatest drummers in rock history, and a genuine wild man of epic (and sadly fatal) proportions. Beast: John Bonham and the Rise of Led Zeppelin is the first-ever biography of the iconic John Bonham, considered by many to be one of the greatest (if not THE greatest) rock drummer of all time. Bonham first learned to play the drums at the age of five, and despite never taking formal lessons, began drumming for local bands immediately upon graduating from secondary school. By the late 1960s, Bonham was looking for a more solid gig in order to provide his growing family with a more regular income. Meanwhile, following the dissolution of the popular blues rock band The Yardbirds, lead guitarist Jimmy Page sought the company of new bandmates to help him record an album and tour Scandinavia as the New Yardbirds. A few months later, Bonham was recruited to join the band who would eventually become known as Led Zeppelin-and before the year was out, Bonham and his three bandmates would become the richest rock band in the world. In their first year, Led Zeppelin released two albums and completed four US and four UK concert tours. As their popularity exploded, they moved from ballrooms and smaller clubs to larger auditoriums, and eventually started selling out full arenas. Throughout the 1970s, Led Zeppelin reached new heights of commercial and critical success, making them one of the most influential groups of the era, both in musical style and in their approach towards the workings of the entertainment industry. They added extravagant lasers, light shows, and mirror balls to their performances; wore flamboyant and often glittering outfits; traveled in a private jet airliner and rented out entire sections of hotels; and soon become the subject of frequently repeated stories of debauchery and destruction while on tour. In 1977, the group performed what would be their final live appearance in the US, following months of rising fervor and rioting from their fandom. And in September of 1980, Bonham-plagued by alcoholism, anxiety, and the after-effects of years of excess-was found dead by his bandmates. To this day, Bonham is posthumously described as one of the most important, well-known, and influential drummers in rock, topping best of lists describing him as an inimitable, all-time great. As Adam Budofsky, managing editor of Modern Drummer, explained, "If the king of rock 'n' roll was Elvis Presley, then the king of rock drumming was certainly John Bonham."