This book tells the story of the beginnings, the blossoming, and the eventual banishment of fraternities at Williams College, together with the ensuing transformation of Williams, based in Williamstown, Massachusetts, as the old fraternal order was replaced with a new residential system in the nineteen-sixties and after. A key figure emerged: John Sawyer, president of the college between 1961-1973. In John Chandler's measured recounting of events, Sawyer oversaw not only the end of fraternity life at the college, but positioned Williams for its subsequent ascent to the top tier of liberal arts colleges.

"Samantha Barbas delineates the life of famed lawyer and political advisor Morris Ernst, an early shaper of the American Civil Liberties Union. Today's fundamental challenges to free speech, expressive rights, and the exercise of political power make Ernst's battles to establish the cultural and legal norms of the twentieth century freshly interesting-particularly his role in framing the right to privacy. Barbas details Ernst's legendary free speech cases but also his manipulative ways and idiosyncratic and troubling political associations. A vital and conflicted man, Ernst was shaped strongly by the intersection of his legal ideas and the driving politics of his time"--

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time. Multiple chapters invite the reader to rethink Sondheim's works from a distinctly contemporary critical perspective and to consider how these musicals are being reenvisioned today. Through chapters focused on individual musicals, and others that explore a specific topic as manifested throughout his entire career, plus an afterword by Kristen Anderson-Lopez; by digging deep into the archives and focusing intently on his scores; from interviews with performers, directors, and bookwriters, and close study of live and recorded productions--volume editor W. Anthony Sheppard brings together Sondheim's past with the present, thriving existence of his musicals.