In an essay on Richard Hugo, the poet James Wright called him “one of the precious few poets of our age . . . who has, and sustains, an abiding vision.” Hugo took that vision to Skye with him: he makes Scottish history, legends, and “triggering towns” his own in these new poems, just as he has earlier done in poems of the American West. And in making them his own, he makes them our own as well. He continues to be, in Wright’s words, “a great poet, true to our difficult life.” In September of 1977 Richard Hugo and his family went to live for several months on the Isle of Skye, off the coast of Scotland. One of the results of that experience is this new and impressive volume of poems.

James Crumley is one of the most revered practitioners of post-Chandler crime fiction, praised by the likes of Dennis Lehane and Michael Connelly as a major influence. C. W. Sughrue is Crumley's most indelible creation. Now Sughrue is back, in a searing thrill ride of a novel that has the seen-it-all Montana private eye trying to find out which of a small-town shrink's bizarre patients has made off with some highly confidential files. Fast-paced, brutal, melancholy, and ruefully funny, The Right Madness is Crumley at his uncompromising best.

Of Richard Hugo's Making Certain It Goes On, David Wagoner has written: "Richard Hugo spared himself (and us) no pains or joys in making the wonderful, vigorous original poems brought together in this single collection. His was and is a very important voice in modern American poetry." Hugo was also an editor of the Yale Younger Poets series and a distinguished teacher and master of the personal essay. Now many of his essays have been assembled and arranged by Ripley Hugo, the poet's widow and a writer and teacher, and Lois and James Welch, writers and close friends of the poet. Together the essays constitute a compelling autobiographical narrative that takes Hugo from his lonely childhood through the war years and his working and creative life to an interview just before his death in 1982. William Matthews, also a friend of Hugo's, has written an introduction.

"Richard Hugo's free-swinging, go-for-it remarks on poetry and the teaching of poetry are exactly what are needed in classrooms and in the world."—James Dickey Richard Hugo was that rare phenomenon of American letters—a distinguished poet who was also an inspiring teacher. The Triggering Town is Hugo's now-classic collection of lectures, essays, and reflections, all "directed toward helping with that silly, absurd, maddening, futile, enormously rewarding activity: writing poems." Anyone, from the beginning poet to the mature writer to the lover of literature, will benefit greatly from Hugo's sayd, playful, profound insights and advice concerning the mysteries of literary creation.

The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.