Long considered the epitome of all that is chic, glamorous, and desirable, Paris is every shopper's dream. But even the most indefatigable shopper is sure to be overwhelmed by the embarras de richesses. In The Riches of Paris, Maribeth Clemente shares her insider's knowledge of the choicest boutiques, restaurants, wine cellars, and auctions to help you find endless treasures. Whether you're looking for designer fashions, Limoges china, the finest perfumes, the best Bordeaux, or just browsing, The Riches of Paris is an indispensable guide for making your visit to Paris enjoyable and unforgettable.

For travelers and Francophiles alike, this guide to the best products in 21 regions of France, from Provence to the Loire Valley, from Alsace to the Alps, introduces the culture of the country through centuries-old craftsmanship. Complete with details on exchange rates, shipping, French customs, and touring, the book is invaluable for the browser, serious shopper, or armchair traveler with a love of all things French.

The powerful English debut of a rising young French star, Our Riches is a marvelous, surprising, hybrid novel about a beloved Algerian bookshop A Library Journal Best Book of the Year Finalist for the PEN Translation Prize Winner of the French American Foundation Prize Our Riches celebrates quixotic devotion and the love of books in the person of Edmond Charlot, who at the age of twenty founded Les Vraies Richesses (Our True Wealth), the famous Algerian bookstore/publishing house/lending library. He more than fulfilled its motto “by the young, for the young,” discovering the twenty-four-year-old Albert Camus in 1937. His entire archive was twice destroyed by the French colonial forces, but despite financial difficulties (he was hopelessly generous) and the vicissitudes of wars and revolutions, Charlot (often compared to the legendary bookseller Sylvia Beach) carried forward Les Vraies Richesses as a cultural hub of Algiers. Our Riches interweaves Charlot’s story with that of another twenty-year-old, Ryad (dispatched in 2017 to empty the old shop and repaint it). Ryad’s no booklover, but old Abdallah, the bookshop’s self-appointed, nearly illiterate guardian, opens the young man’s mind. Cutting brilliantly from Charlot to Ryad, from the 1930s to current times, from WWII to the bloody 1961 Free Algeria demonstrations in Paris, Adimi delicately packs a monumental history of intense political drama into her swift and poignant novel. But most of all, it’s a hymn to the book and to the love of books.

An American Library in Paris "Coups de Coeur" Selection A Los Angeles Times Bestseller "Elaine Sciolino is a graceful, companionable writer.… [She] has laid one more beautiful and amusing wreath on the altar of the City of Light.” —Edmund White, New York Times Blending memoir, travelogue, and history, The Seine is a love letter to Paris and the river that determined its destiny. Master storyteller and longtime New York Times foreign correspondent Elaine Sciolino explores the Seine through its lively characters—a bargewoman, a riverbank bookseller, a houseboat dweller, a famous cinematographer—and follows it from the remote plateaus of Burgundy through Paris and to the sea. The Seine is a vivid, enchanting portrait of the world’s most irresistible river.

A new perspective on the neoliberal world through the prism of rents and rentiers How can we reduce inequalities? How can we make work get better recognition and better pay? Philippe Askenazy in this new book shows that the current share of wealth is far from natural; it results from rising rents and their capture by the actors best endowed in the economic game. In this race for rents, the world of work is the big loser: while many workers feed capital rents by increased productivity and worsened working conditions, they are stigmatized as unproductive and their earnings stagnate. By proposing a new description of the capital-work relationship, calling for a remobilization of the world of work, and particularly poorly paid employees, Askenazy shows that there is a more radical alternative to neoliberalism beyond simply redistribution.

"In this detailed narrative of the business Tuthill founded, the patterns he created, the techniques he used, and the other artisans and consumers he knew, Maurice Crofford has written the story of an earlier, more elegant and leisurely era. For those knowledgeable about cut glass, the development of the forms will be instructive; for others, who simply appreciate the beauty of the glass, the numerous black and white photographs will appeal. Beyond both of those dimensions, however, Crofford provides a fascinating insight into the ways industrialization and mass production and, more especially, the automobile, changed forever the ways upper-class Americans lived, entertained, and displayed their good fortune. In Tuthill's career, moreover, Crofford finds an example of American ingenuity and creative genius in responding to changing times."--BOOK JACKET.

This book provides both an accessible introduction to the economy of cities and an original perspective on what needs to be fixed if cities are to be places of economic opportunity and social cohesion.