The only complete study on this important jazz song form.

Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The DVD demonstrates examples and offers opportunity to play along.

One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.

According to musician and musicologist Gunther Schuller, 75% of all harmonic movement in jazz consists of ii-V-I progressions. Consequently, for the jazz improvisor, it is extremely important to be capable of playing a coherent phrase based on any member note of the ii chord and its extensions, in any key. In this book, music educator and world-renowned jazz saxophonist, Lukas Gabric focuses on helping you develop this essential skill. The five strategies outlined in Jazz Course for All Instruments are specifically designed to enhance your vocabulary and fluency as a jazz improviser. In a key segment, Gabric explains how longer phrases can be generated by combining minimal source materials. He also seeks to further your transposition and memorization skills as well as instrumental technique—all of which are required for effective improvisation. For those familiar with other styles of music, this reasoned, incremental approach could well open the door to the exciting world of improvised jazz.

Rhythm changes are one of the foundational chord progressions of jazz. Every jazz musician must learn to navigate comfortably through rhythm changes in everykey. In this comprehensive play-along book (formerly in three separate volumes),renowned jazz guitarist Frank Vignola presents 34 original etudes in standard notation and tablature. Readers can practice these melodies and solos along withVignola's recorded accompaniment. Daily practice will enable the guitarist to hear and improvise over rhythm changes in any key/position. The performance-tempo recordings of the solos include numerous choruses of isolated rhythm section accompaniment. This allows the reader to practice just the written solos (as well as their own). Sections of the recordings also include solos by Vignola, allowing the reader to practice accompaniment. Access to accompanying online audio is included

Learn to improvise on flute over the most recognised tune in jazz This is not a how to play the flute book. It's a how to play music book! Once you have learnt some simple strategies to improvise over jazz chord changes, the next step is chord tone soloing. Targeting the important notes of every chord in a sequence will give you a solid foundation from which you can build engaging, melodic improvised solos. This book teaches how to do it, step-by-step, and takes an in-depth look at one of the most famous chord progressions in jazz: George Gershwin's I Got Rhythm - known as "Rhythm Changes". Rhythm Changes Soloing for Jazz Flute will guide you through this essential jazz standard, while teaching you fundamental soloing techniques and improvisational skills. This practical method, devised by Buster Birch (visiting jazz professor at Trinity Conservatoire) has been road tested at hundreds of workshops. But don't just take our word for it... Professor approved jazz flute soloing "I like the way Buster takes the learner through the important steps needed to tackle these types of chord progressions. Simple to follow and enjoyable to play along to, the student should find it easier to progress using his methods." Andy Panayi - Professor of Jazz and Classical Flute at The Royal College of Music and The Birmingham Conservatoire of Music. "Another excellent publication, an invaluable resource for jazz students and students of the music". Simon Purcell - International Chair in Improvisation at the Guildhall School of Music in London.