"From the towering Burmese magnificum, with its three-foot-diameter trunk and its masses of sweet-smelling purple flowers, to the potted pink azalea, glowing like a burning bush on the backyard garden patio, Rhododendron is a genus of infinite variety and beauty. There are 1,025 known species: it is a native of the snows of the Himalayas and the swamps of the Carolinas, the jungles of Borneo and the island inlets of Japan. It is also one of the oldest of plants - many believe the dove that returned to Noah's ark was carrying a rhododendron sprig - although it has been known to western horticulture for only 300 years. The curious history of Westerners and rhododendrons is full of swashbuckling plant collectors and visionary gardeners, colonial violence and ecological destruction, stunning botanical successes and bitter business disappointments. And it is here related with consummate skill by Jane Brown, an English garden writer."--BOOK JACKET.

It was indeed very difficult for the Laventie children not to be a little priggish. Ann Laventie, the youngest of three children in a long line of anti-social Sussex gentry, doesn't quite fit the mould of her intellectual, elegant, ultra-modern siblings Dick, an artist, and Elizabeth, a high-brow writer. Their father is scholarly and just wealthy enough to focus all his attention on reading and other highbrow pursuits. Ann, on the other hand, worries about being plump, is what might be called a 'people person, ' and appreciates the simpler pleasures. As the young Laventies spend more and more of their time in the glitter of London, their differences grow more pronounced, and when Ann returns home with an unsuitably ordinary fiancé, this dazzling, witty battle of the brows reaches its exhilarating climax. Rhododendron Pie, one of Margery Sharp's rarest and most sought-after novels, was her debut, reportedly written in one month while Sharp worked as a typist and shared a flat in Paddington with two other girls. But it already shows all the charm, humour, and sophistication that characterizes Sharp's beloved later work. First published in 1930, it has, inexplicably, never been reprinted. Until now. This new edition features an introduction by twentieth-century women's historian Elizabeth Crawford. 'A first novel of quite unusual charm, pointedly and gracefully written, and whimsically human' Yorkshire Post

In her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world. Through poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason. In anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, Congratulations, Rhododendrons makes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.

Famous for illuminating the hidden workings of human relationships, Alice Adams’s short stories appeared dozens of times in The New Yorker and were a mainstay of the O. Henry Award collections. From her capstone collection The Stories of Alice Adams, “Roses, Rhododendron” chronicles the power of a lifelong friendship. When a young Jane Kilgore moves to North Carolina with her superstitious mother, she meets Harriet Farr and finds comfort and stability amongst her family. As Jane’s life takes her away from the South, she learns that her relationship with the Farrs shaped her childhood and life thereafter.

* This book is the first title to reveal the interior spaces as well as other buildings on the grounds of the famous Greenbrier Hotel* Never-seen-before sketches and vintage color photographs from Dorothy Draper's archive of the redesign of the hotel, with behind the scenes anecdotes from international designer Carleton Varney, who has made his own mark on the hotel, and new photography by Michel ArnaudIn 1946 (after a stint as a World War II military hospital), quintessential American decorator Dorothy Draper was brought in to restore the Greenbrier hotel. She created a signature look - described at the time as 'Romance and Rhododendrons' - that has influenced and delighted not only designers and decorators but also travelers, weary of the gray and beige color schemes that permeate most hospitality properties even now. Draper transformed the interiors with bold colors, classical influences and modern touches.When Carleton Varney arrived in Mrs. Draper's office in 1961 to work as an assistant in the design department, one of his first tasks was to accompany the design icon by train to one of her most well-known and publicised projects. Since that time, he has been involved with every aspect of the hotel's design, maintaining and continuing the look that Draper designed, as well as modernizing, upgrading and putting his own stamp on it. Working with his experienced and innovative team, Varney has turned the historic hotel into a resort for the 21st century.