An "amazing"* debut historical novel (*Ariana Franklin, national betselling author of Grave Goods) Paris, 1686: When The Bishop of Marseilles discovers that his young cousin Charles du Luc, former soldier and half-fledged Jesuit, has been helping heretics escape the king's dragoons, the bishop sends him far away-to Paris, where Charles is assigned to assist in teaching rhetoric and directing dance at the prestigious college of Louis le Grand. Charles quickly embraces his new life and responsibilities. But on his first day, the school's star dancer disappears from rehearsal, and the next day another student is run down in the street. When the dancer's body is found under the worst possible circumstances, Charles is determined to find the killer in spite of being ordered to leave the investigation.

"Socho's Death of Sogi and Kikaku's Death of Master Basho provide information about iconic figures of premodern Japanese literature and their disciples, while themselves manifesting stylistic accomplishment. This book contains translations of both death accounts and introductions to the poets' lives, times, and works"--

Death, Ritual and Belief, now in its third edition, explores many important issues related to death and dying, from a religious studies perspective, including anthropology and sociology. Using the motif of 'words against death' it depicts human responses to grief by surveying the many ways in which people have not let death have the last word, not simply in terms of funeral rites but also in memorials, graves, and in ideas of ancestors, souls, gods, reincarnation and resurrection, whether in the great religious traditions of the world or in more local customs. He also examines bereavement and grief, experiences of the presence of dead, near-death experiences, pet-death and the symbolic death played out in religious rites. Updated chapters have taken into account new research and include additional topics in this new edition, notably assisted dying, terrorism, green burial, material culture, death online, and the emergence of Death Studies as a distinctive field. Case studies range from Anders Breivik in Norway, to the Princess of Wales, and to the Rapture in the USA. A new perspective is also brought to his account of grief theories. Providing an introduction to key authors and authorities on death beliefs, bereavement, grief and ritual-symbolism, Death, Ritual and Belief is an authoritative guide to the perspectives of major religious and secular worldviews.

Genocide represents one of the deadliest scourges of the human experience. Communication practices provide the key missing ingredient toward preventing and ending this intensely symbolic activity. The Rhetoric of Genocide: Death as a Text reveals how strategic communication silences make this tragedy probable, and how a greater social ethic for communication openness repels and ends this great evil. Careful analysis of practical historical figures, such as the great debater James Farmer Jr., along with empirical policy successes in places such as Liberia provide a communication-based template for ridding the world of genocide in the twenty-first century.

This book describes the waning days of the baroque.

"Examines white masculine victimhood by looking at the rhetoric of gender-motivated mass shooters, white supremacists, online misogynist and incel communities, survivalists and doomsday preppers, gun culture and political rallies, and political demagogues"-Provided by publisher"--

This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse—death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse’s ambiguous representation of women.