It was no coincidence that the Civil War occurred during an age of violent political upheaval in Europe and the Americas. Grounding the causes and philosophies of the Civil War in an international context, Andre M. Fleche examines how questions of national self-determination, race, class, and labor the world over influenced American interpretations of the strains on the Union and the growing differences between North and South. Setting familiar events in an international context, Fleche enlarges our understanding of nationalism in the nineteenth century, with startling implications for our understanding of the Civil War. Confederates argued that European nationalist movements provided models for their efforts to establish a new nation-state, while Unionists stressed the role of the state in balancing order and liberty in a revolutionary age. Diplomats and politicians used such arguments to explain their causes to thinkers throughout the world. Fleche maintains that the fight over the future of republican government in America was also a battle over the meaning of revolution in the Atlantic world and, as such, can be fully understood only as a part of the world-historical context in which it was fought.

A gripping and original account of how the Civil War began and a second American revolution unfolded, setting Abraham Lincoln on the path to greatness and millions of slaves on the road to freedom. An epic of courage and heroism beyond the battlefields, 1861 introduces us to a heretofore little-known cast of Civil War heroes—among them an acrobatic militia colonel, an explorer’s wife, an idealistic band of German immigrants, a regiment of New York City firemen, a community of Virginia slaves, and a young college professor who would one day become president. Their stories take us from the corridors of the White House to the slums of Manhattan, from the waters of the Chesapeake to the deserts of Nevada, from Boston Common to Alcatraz Island, vividly evoking the Union at its moment of ultimate crisis and decision. Hailed as “exhilarating….Inspiring…Irresistible…” by The New York Times Book Review, Adam Goodheart’s bestseller 1861 is an important addition to the Civil War canon. Includes black-and-white photos and illustrations.

In the space of a single decade, three leaders liberated tens of millions of souls, remade their own vast countries, and altered forever the forms of national power: Abraham Lincoln freed a subjugated race and transformed the American Republic. Tsar Alexander II broke the chains of the serfs and brought the rule of law to Russia. Otto von Bismarck threw over the petty Teutonic princes, defeated the House of Austria and the last of the imperial Napoleons, and united the German nation. The three statesmen forged the empires that would dominate the twentieth century through two world wars, the Cold War, and beyond. Each of the three was a revolutionary, yet each consolidated a nation that differed profoundly from the others in its conceptions of liberty, power, and human destiny. Michael Knox Beran's Forge of Empires brilliantly entwines the stories of the three epochal transformations and their fateful legacies. Telling the stories from the point of view of those who participated in the momentous events -- among them Walt Whitman and Friedrich Nietzsche, Mary Chesnut and Leo Tolstoy, Napoleon III and the Empress Eugénie -- Beran weaves a rich tapestry of high drama and human pathos. Great events often turned on the decisions of a few lone souls, and each of the three statesmen faced moments of painful doubt or denial as well as significant decisions that would redefine their nations. With its vivid narrative and memorable portraiture, Forge of Empires sheds new light on a question of perennial importance: How are free states made, and how are they unmade? In the same decade that saw freedom's victories, one of the trinity of liberators revealed himself as an enemy to the free state, and another lost heart. What Lincoln called the "germ" of freedom, which was "to grow and expand into the universal liberty of mankind," came close to being annihilated in a world crisis that pitted the free state against new philosophies of terror and coercion. Forge of Empires is a masterly story of one of history's most significant decades.

Transatlantic Revolutionary Cultures, 1789-1861 argues that the revolutionary era constituted a coherent chapter in transatlantic history and that individual revolutions were connected to a broader, transatlantic and transnational frame. As a composite, the essays place instances of political upheaval during the long nineteenth century in Europe and the Americas in a common narrative and offer a new interpretation on their seeming asynchrony. In the age of revolutions the formation of political communities and cultural interactions were closely connected over time and space. Reciprocal connections arose from discussions on the nature of history, deliberations about constitutional models, as well as the reception of revolutions in popular culture. These various levels of cultural and intellectual interchange we term “transatlantic revolutionary cultures.” Contributors are: Ulrike Bock, Anne Bruch, Peter Fischer, Mischa Honeck, Raphael Hörmann, Charlotte A. Lerg, Marc H. Lerner, Michael L. Miller, Timothy Mason Roberts, and Heléna Tóth.

Reprint of the original, first published in 1862.