In The Revival of the Anu Cult and the Nocturnal Fire Ceremony at Late Babylonian Uruk, Julia Krul offers a comprehensive study of the rise of the sky god Anu as patron deity of Uruk in the Late Babylonian period (ca. 480-100 B.C.). She reconstructs the historical development of the Anu cult, its underlying theology, and its daily rites of worship, with a particular focus on the yearly nocturnal fire ceremony at the Anu temple, the Bīt Rēš. Providing the first in-depth analysis of the ceremony, Julia Krul convincingly identifies it as a seasonal renewal festival with an important exorcistic component, but also as a reinforcement of local hierarchical relationships and the elite status of the Anu priesthood. "With this study, Krul adds significantly to the research on Babylonian temple rituals in general, providing a useful methodology and survey of secondary sources....This book offers an excellent in-depth analysis of the nocturnal fire ceremony as it could have been celebrated at Hellenistic Uruk. It forms a good starting-point for comparison with and further study of other Late Babylonian rituals from both Uruk and Babylon." - Céline Debourse, Vienna, in: Wiener Zeitschrift für die Kunde des Morgenlandes 109 (2019) "The book is essentially a commentary on a late cuneiform text from 3rd-century BCE Uruk describing a nocturnal sacrificial ritual held annually on the winter solstice (16 Tevet). The text itself is well known, having first been published by F. Thureau-Dangin in his classic work Rituels accadiens (1921), but this book is the most comprehensive far-reaching commentary on this important text, with valuable extraneous information [...]. There is much valuable data in this book regarding late Babylonian ritual practice, couched in an informative narrative." -Markham J. Geller, Journal for the Study of the Old Testament 43.5 (2019)

This volume explores how scholars wrote, preserved, circulated, and read knowledge in ancient Mesopotamia. It offers an exercise in micro-history that provides a case study for attempting to understand the relationship between scholars and scholarship during this time of great innovation. The papers in this collection focus on tablets written in the city of Uruk in southern Babylonia. These archives come from two different scholarly contexts. One is a private residence inhabited during successive phases by two families of priests who were experts in ritual and medicine. The other is the most important temple in Uruk during the late Achemenid and Hellenistic periods. The contributors undertake detailed studies of this material to explore the scholarly practices of individuals, the connection between different scholarly genres, and the exchange of knowledge between scholars in the city and scholars in other parts of Babylonia and the Greek world. In addition, this collection examines the archives in which the texts were found and the scribes who owned or wrote them. It also considers the interconnections between different genres of knowledge and the range of activities of individual scribes. In doing so, it answers questions of interest not only for the study of Babylonian scholarship but also for the study of ancient Mesopotamian textual culture more generally, and for the study of traditions of written knowledge in the ancient world.

The articles in this volume of collected essays, written over the last two decades and all revised, updated, and supplemented with unpublished material, are grouped around two themes: Divine Secrets and Human Imaginations. The first essays deal with the production, initiation, use and function, the abduction, repatriation, and the replacement of divine images, their outer appearance, and the many facets of the divine presence theology in Ancient Mesopotamia. The essays on the second topic deal with human imaginations, human constructs, and constructed memories, which assign meaning to the past or to things or experiences that are beyond human control. Thematically, several aspects of the human condition are examined, such as the ideas associated in the Old Testament and the Ancient Near East with death, corporeality, enemies, disasters, utopias, and passionate love.

This volume honors Ran Zadok's work by focusing on his sustained interest in Mesopotamian social history. It brings together a rich array of scholarship on ancient names, deities, individuals, and institutions, from Persepolis to the Levant. Building on Zadok's intellectual concerns, this book includes contributions that expand our understanding of the diverse tapestry of the peoples who inhabited the Ancient Near East.

Ezekiel's Visionary Temple in Babylonian Context examines evidence from Babylonian sources to better understand Ezekiel's vision of the future temple as it appears in chapters 40–48. Tova Ganzel argues that Neo-Babylonian temples provide a meaningful backdrop against which many unique features of Ezekiel's vision can and should be interpreted. In pointing to the similarities between Neo-Babylonian temples and the description in the book of Ezekiel, Ganzel demonstrates how these temples served as a context for the prophet's visions and describes the extent to which these similarities provide a further basis for broader research of the connections between Babylonia and the Bible. Ultimately, she argues the extent to which the book of Ezekiel models its temple on those of the Babylonians. Thus, this book suggests a comprehensive picture of the book of Ezekiel’s worldview and to contextualize its visionary temple by comparing its vision to the actual temples surrounding the Judeans in exile.

"Clock time", with all its benefits and anxieties, is often viewed as a "modern" phenomenon, but ancient Mediterranean and Near Eastern cultures also had tools for marking and measuring time within the day and wrestled with challenges of daily time management. This book brings together for the first time perspectives on the interplay between short-term timekeeping technologies and their social contexts in ancient Egypt, Babylon, Greece, and Rome. Its contributions denaturalize modern-day concepts of clocks, hours, and temporal frameworks; describe some of the timekeeping solutions used in antiquity; and illuminate the diverse factors that affected how individuals and communities structured their time.

What would happen if the interpretation of Song of Solomon were to move beyond the layered traditions of rabbinic Judaism, the theological concerns of Christian communities, or even the Enlightenment ideals of a rigorously objective secular hermeneutic? This new reading by Janet Tyson provides a fascinating answer to that question. –Timothy Paul Erdel, Bethel University The Song of Solomon is an intimate, eyewitness account of the stormy marriage between the last King of Babylon, Nabonidus, and the Egyptian princess Nitocris II. It details the couple’s seven-year stay in Tayma, Arabia, during which time the king formulated his plan to reinstate a long-defunct female priesthood at Ur, in honour of the lunar deity, Sîn. The Song was written by a female scribe, during the exodus from Babylon in c.538 BCE; she is potentially recorded elsewhere in the Hebrew Bible. Her ‘song of praise’ tells of magic, blood rites, jealousy and rivalry, contraception, miscarriage, lies and curses. It bears all the signs of an act of vengeance, for it preserves the bitter resentment of a woman who lived in the shadow of the king’s most exotic wife. Topics of interest include: * A consistent pattern of applied Ishtar/Hathor mythology * Potential insight into the function of the God’s Hand * The use of Jewish gematria * Clear allusions to the esoteric rite known today as the Elixir Rubeus * Internal chronology that mirrors the reign of Nabonidus, including a lunar eclipse * Profound parallels between Nabonidus and King Solomon * Strong connections between Herodotus and the Song’s narrative * Potential identification of the Song’s author and date of composition * Other ancient legends revealing this same interpretation