Damon Wildeve, a local innkeeper known for his fickleness is preoccupied with Eustacia Vye, an exotically beautiful young woman who broke up with him when Clym, a successful diamond merchant, returned from Paris to his native Egdon Heath. Eustacia sees him as a way to escape the hated heath and begin a grander, richer existence in a glamorous new location. When he sees that Eustacia is lost to him, Wildeve marries Thomasin Yeobright, who gives birth to a daughter. After realizing that Clym won't fulfill her dreams, Eustacia becomes desperate, but another opportunity shows up. Wildeve has unexpectedly inherited a large sum of money, and is now in a better position to fulfill Eustacia's hopes, but he now has a wife and a child.

This is a historical romance novel written by an anonymous author who published a series of books about Elizabethan era England. Excerpt: "I denounce thee, in the presence of this menial, as a traitor and a spy!" A flash of anger mounted to Hildebrand's cheeks at these words, and his rapier, on which his grasp had already been fastened, leaped from its scabbard on the instant. "Such terms would provoke an angel! Stand on thy guard!" he said and jumped."

The central figure of this novel is the returning "native", Clym Yeobright, and his love for the beautiful but capricious Eustacia Vye.

The Return of The Native

Story of Egdon Heath and Eustacia Vye in late nineteenth century Wessex, England. Set in the vast, brooding heathlands of England, it lays bare the frailties of human love.

Virginia Woolf’s daring essay on how illness transforms our perception, plus an essay by Woolf’s mother from the caregiver’s perspective: “Revelatory.” —Booklist This new publication of “On Being Ill” with “Notes from Sick Rooms” presents Virginia Woolf and her mother, Julia Stephen, in textual conversation for the first time in literary history. In the poignant and humorous essay “On Being Ill,” Woolf observes that though illness is part of every human being’s experience, it is not celebrated as a subject of great literature in the way that love and war are embraced by writers and readers. We must, Woolf says, invent a new language to describe pain. Illness, she observes, enhances our perceptions and reduces self-consciousness; it is “the great confessional.” Woolf discusses the taboos associated with illness, and she explores how it changes our relationship to the world around us. “Notes from Sick Rooms,” meanwhile, addresses illness from the caregiver’s perspective. With clarity, humor, and pathos, Julia Stephen offers concrete information that remains useful to nurses and caregivers today. This edition also includes an introduction to “Notes from Sick Rooms” by Mark Hussey, founding editor of Woolf Studies Annual, and a poignant afterword by Rita Charon, MD, founder of the field of Narrative Medicine. In addition, Hermione Lee’s brilliant introduction to “On Being Ill” offers a superb overview of Woolf’s life and writing. “Woolf’s inquiry into illness and its impact on the mind is paired with her mother’s observations about caring for the body. Julia Stephen . . . had no professional training but took to heart Florence Nightingale’s precept that every woman is a nurse and emulated Nightingale’s best-selling Notes on Nursing with her own “Notes from Sick Rooms.” In this long-overlooked, precise, and piquant little manual, Stephen is compassionate and ironic, observing that everyone deserves to be tenderly nursed while addressing the small evil of crumbs in bed. This unprecedented literary reunion of mother and daughter is stunning on many fronts, but physician and literary scholar Rita Charon focuses on the essentials in her astute afterword, writing that Woolf’s perspective as a patient and Stephen’s as a nurse together illuminate the goal of care—to listen, to recognize, to imagine, to honor.” —Booklist “Woolf and Stephen will certainly change the way readers think of illness.” —Publishers Weekly

Damon Wildeve, a local innkeeper known for his fickleness is preoccupied with Eustacia Vye, an exotically beautiful young woman who broke up with him when Clym, a successful diamond merchant, returned from Paris to his native Egdon Heath. Eustacia sees him as a way to escape the hated heath and begin a grander, richer existence in a glamorous new location. When he sees that Eustacia is lost to him, Wildeve marries Thomasin Yeobright, who gives birth to a daughter. After realizing that Clym won't fulfill her dreams, Eustacia becomes desperate, but another opportunity shows up. Wildeve has unexpectedly inherited a large sum of money, and is now in a better position to fulfill Eustacia's hopes, but he now has a wife and a child.