The early Chinese text Master Zhuang (Zhuangzi) is well known for its relativistic philosophy and colorful anecdotes. In the work, Zhuang Zhou ca. 300 B.C.E.) dreams that he is a butterfly and wonders, upon awaking, if he in fact dreamed that he was a butterfly or if the butterfly is now dreaming that it is Zhuang Zhou. The text also recounts Master Zhuang's encounter with a skull, which praises the pleasures of death over the toil of living. This anecdote became popular with Chinese poets of the second and third century C.E. and found renewed significance with the founders of Quanzhen Daoism in the twelfth century. The Quanzhen masters transformed the skull into a skeleton and treated the object as a metonym for death and a symbol of the refusal of enlightenment. Later preachers made further revisions, adding Master Zhuang's resurrection of the skeleton, a series of accusations made by the skeleton against the philosopher, and the enlightenment of the magistrate who judges their case. The legend of the skeleton was widely popular throughout the Ming dynasty (1368–1644), and the fiction writer Lu Xun (1881–1936) reimagined it in the modern era. The first book in English to trace the development of the legend and its relationship to centuries of change in Chinese philosophy and culture, The Resurrected Skeleton translates and contextualizes the story's major adaptations and draws parallels with the Muslim legend of Jesus's encounter with a skull and the European tradition of the Dance of Death. Translated works include versions of the legend in the form of popular ballads and plays, together with Lu Xun's short story of the 1930s, underlining the continuity between traditional and modern Chinese culture.

How can a loving God send people to hell? Isn’t it arrogant to believe Jesus is the only way to God? What is up with holy war in the Old Testament? Many of us fear God has some skeletons in the closet. Hell, judgment, and holy war are hot topics for the Christian faith that have a way of igniting fierce debate far and wide. These hard questions leave many wondering whether God is really good and can truly be trusted. The Skeletons in God's Closet confronts our popular caricatures of these difficult topics with the beauty and power of the real thing. Josh Butler reveals that these subjects are consistent with, rather than contradictory to, the goodness of God. He explores Scripture to reveal the plotlines that make sense of these tough topics in light of God’s goodness. From fresh angles, Josh deals powerfully with such difficult passages as: The Lake of Fire Lazarus and the Rich Man The Slaughter of Canaanites in the Old Testament Ultimately, The Skeletons in God's Close uses our toughest questions to provoke paradigm shifts in how we understand our faith as a whole. It pulls the “skeletons out of God’s closet” to reveal they were never really skeletons at all.

Dark magic meets the Old West in The Key of Skeleton Peak: Legends of the Lost Causes, the epic conclusion to the action-adventure series! Keech Blackwood and his fellow Lost Causes have won their share of battles, but the war against the forces of darkness still rages on. In their final standoff against the ruthless outlaw and sorcerer, Reverend Rose, the Lost Causes face their most perilous trial yet: stopping Rose and his henchmen from retrieving the ancient, powerful objects that would return him to his full, frightening strength. As the vigilante orphans race to the dangerous depths of Skeleton Peak, the site of the Key that would free the Reverend from his wicked prison, they’ll have to outmaneuver Rose’s most faithful—and menacing—ally: a creature spawned by darkness and shadow. But ever in pursuit of justice and vengeance for their fallen families, the Lost Causes won’t give up without a fight. Packed with rip-roaring action, adventure, and powerful friendships, this series is perfect for fans of John Flanagan's The Brotherband Chronicles and Peter Lerangis's The Seven Wonders. Praise for the Legends of the Lost Causes series: "This is a fun and exciting story, written with the utmost respect for the Osage culture." —Wah-Zah-Zhi Cultural Center

A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.

This collection of essays, in honour of Erik Zurcher, provides new information on various aspects of intellectual and social development in China, Japan, and Korea from approximately 1400 to 1800.

The author of the New York Times bestsellers The Harbinger, The Mystery of the Shemitah, The Book of Mysteries, and The Paradigm, now opens up the jubilean prophecies and a mystery so big that it has determined everything from the rise and fall of world empires to two world wars, the current events of our day, the future, end-time prophecy, and much more.

Do you want to be the church? How can you, if you don't know what the church actually is? Only after you understand what the church is can you begin to properly live and function as God's church in this world. Thankfully, Skeleton Church simply and easily defines "church" for you, so that you can embark on the thrilling adventure of being the church and following Jesus wherever He leads. By reading this book, you will also discover answers the most basic questions all humans have about their own existence and identity. Understanding church is the first step to understanding everything! In Skeleton Church, Jeremy Myers provides a bare-bones basic definition of the church which then allows the reader to understand their role within human history and God's plan for the world. Furthermore, the basic definition of the church provided in this book helps create peace and unity within all types of churches around the world and throughout history. By understanding the biblical definition of church, we can fulfill the prayer of Jesus that we be one (John 17:21). Let us return to the skeleton church and grow in unity once again. And don't worry. This book does not push or emphasize any one denomination or style of church. The ideas in this book apply equally to mega-churches and house-churches, as well as to Episcopal and non-denominational churches (and everything in-between. Read this book today to begin functioning as God's people in this world.