A cemetery restorer with a haunting secret must break her own rules when she meets a detective on the hunt for a killer in this romantic urban fantasy. Never acknowledge the dead. Never stray far from hallowed ground. Never get close to the haunted. Never, ever tempt fate. My name is Amelia Gray. I’m a cemetery restorer who sees ghosts. In order to protect myself from the parasitic nature of the dead, I’ve always held fast to these rules passed down from my father . . . until now. Detective John Devlin needs my help to find a killer, but he is haunted by ghosts who shadow his every move. To warn him would be to invite them into my life. I’ve vowed to keep my distance, but the pull of his magnetism grows ever stronger even as the headstone symbols lead me closer to truth and to the gossamer veil that separates this world from the next.

After a year apart, Maryanne returns to her husband, Roy, bringing their eight-year-old son Daniel and teenage daughter Freya with her. The family move from Sydney to Newcastle, where Roy has bought a derelict house on the coast. As Roy painstakingly patches the holes in the floorboards and plasters over cracks in the walls, Maryanne believes, for a while, that they can rebuild a life together. But Freya doesn’t want a fresh start—she just wants out—and Daniel drifts around the sprawling, run-down house in a dream, infuriating his father, who soon forgets the promises he has made. Some cracks can never be smoothed over, and tension grows between Roy and Maryanne until their uneasy peace is ruptured—with devastating consequences. Michael Sala was born in the Netherlands in 1975 to a Greek father and a Dutch mother, and first came to Australia in the 1980s. He lives in Newcastle. His critically acclaimed debut, The Last Thread, won the 2013 NSW Premier's Award for New Writing and was the regional winner (Pacific) of the 2013 Commonwealth Book Prize. ‘In this remarkable novel, Michael Sala builds tension masterfully until an explosive final act...This is powerful and poetic fiction that showcases a writer at the height of his powers.’ Judges’ Report, Victorian Premier’s Literary Awards, 2018 ‘The standout novel for me was Michael Sala’s ferocious family drama The Restorer. In a year that made me think again and again about why men do terrible things, Sala’s emotional tour-de-force dares to confront some of those causes and the implications of violence at a social level.’ Gretchen Shirm, Australian, Books of the Year 2017 ‘There is so much to praise about this book. Michael Sala’s prose is clear and unadorned, the setting exquisitely rendered, but it is the characters - Freya, Maryanne, Roy and Daniel - all of them flawed and complex and deeply, deeply human, who will stay with me for a very long time. I would defy anyone to read their story and remain unmoved. The Restorer is an incredibly powerful novel and, I believe, an important one.’ Hannah Kent ‘Michael Sala is a sensitive, perceptive observer of human relationships and I have long admired his work. The Restorer is a beautifully written novel about growing up, starting again—and how the riptide of personal history can pull us further and further from safety, no matter how hard we fight.’ Charlotte Wood ‘A wise and timely novel that builds and breaks like a summer storm—just as beautiful, just as brutal.’ Fiona McFarlane ‘Sala’s story of mundane domestic tension explodes in ways both already anticipated and powerfully surprising. The narrative is real, compelling, sophisticated and deeply human. Having read this work, I will certainly seek out Sala’s debut novel, and watch with interest for new works from this gifted creator. Strongly recommended.’ 4ZZZ ‘This is powerful, poetic, extraordinary fiction...Sala never falters.’ Australian ‘Unputdownable...Sala creates an atmosphere of simmering tension with an undercurrent of unpredictability that seeps into every exchange. [He] is a brilliant writer.’ Saturday Paper ‘Closely observed, with the visceral force of truth, Michael Sala’s heartbreaking novel captures the tender hope of love and its terrible cost.’ Kathryn Heyman ‘Recommended for readers of literary fiction who appreciate exploring the darker realities of Australian life now and in our not-so-distant past.’ Books + Publishing ‘Sala’s account is sophisticated and shows the immense complexity of relationships.’ Good Reading ‘Sala’s second novel is assured and polished and adds potency to the outcry against domestic violence.’ Herald Sun ‘Michael Sala’s beautifully shaped second novel glows with all the complicated pain and joy of being human...A tremendous depth of insight and compassion on the part of the writer informs the three main characters...The reader knows pain is coming but the power and deep humanity of Sala’s writing defies the instinct to look away.’ SA Weekend ‘Domestic violence is an everyday reality for tens of thousands of women in Australia. Recent horrors and public campaigns have raised awareness of this social scourge. Journalists have written extensively on the subject, yet it is novelists, as Michael Sala shows in The Restorer, that can gives us a more acute view of the emotional complexities that bind couples and keep women in threatening domestic situations.’ Australian Book Review ‘A slow burning work of fiction that moves with troubling intensity and sensitivity to give an insider’s account of a violent marriage.’ Sydney Morning Herald ‘Michael Sala has a rare gift: in prose that takes your breath away, he tells a story of heart-rending sorrow without a trace of sentimentality.’ Raimond Gaita on The Last Thread ‘The Restorer is a beautifully written and very powerful fiction that not only shines a light on the deep roots of domestic violence but also plays with the line of what remains in the face of such destruction. Sala’s story will stay with the reader long after the book is finished.’ Compulsive Reader ‘This is a sensitively rendered novel with a fine eye for emotional and physical detail. The questions it raises are as disturbing as they are compelling.’ Sydney Morning Herald ‘Now, I’m not self-promoting here, but I will be on stage [at Sydney Writers Festival] with Newcastle writer Michael Sala. Indeed, the only person I’m promoting is Sala, as his unsettling family novel The Restorer is superb.’ Stephen Romei, Australian ‘His style is spare and direct, as if parading its lack of trickiness and fanfare; but underneath it swells a great, unwieldy tide of emotion.’ Overland ‘The Restorer is a powerful, emotionally charged and thought provoking book.’ Pile by the Bed ‘Michael Sala taps into the tension and fear of the times to help build the mood...The cracks are widening long before the earth moves in this novel of a family locked into patterns of violence.’ Australian Women’s Weekly ‘The Restorer is a powerful, emotionally charged and thought provoking book. Yet again shining a light on a pervasive strain in Australian society, Sala effectively builds the tension based on a certain fatalistic inevitability. The storm was always coming and it was always going to break.’ PS News ‘A scrupulously written, scarifying story of impending tragedy, which is to give nothing away...A picture of domestic tension, violence and disintegration.’ Sydney Morning Herald, Books for Your Holiday Reading

When Susan stumbles into an alternate universe, she must overcome tremendous odds to deliver a desperate people and restore hope to a world far from her own.

The leader who helped keep the Dark Ages at bay: “An excellent picture of the Crisis of the Third Century and the life and work of Aurelian” (StrategyPage). The ancient Sibylline prophecies had foretold that the Roman Empire would last for one thousand years. As the time for the expected dissolution approached in the middle of the third century AD, the empire was lapsing into chaos, with seemingly interminable civil wars over the imperial succession. The western empire had seceded under a rebel emperor, and the eastern empire was controlled by another usurper. Barbarians took advantage of the anarchy to kill and plunder all over the provinces. Yet within the space of just five years, the general, and later emperor, Aurelian had expelled all the barbarians from within the Roman frontiers, reunited the entire empire, and inaugurated major reforms of the currency, pagan religion, and civil administration. His accomplishments have been hailed by classical scholars as those of a superman, yet Aurelian himself remains little known to a wider audience. His achievements enabled the Roman Empire to survive for another two centuries, ensuring a lasting legacy of Roman civilization for the successor European states. Without Aurelian, the Dark Ages would probably have lasted centuries longer.

Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati

DIVThe BMW ’02 series of cars, which includes the 1602, 1802, and 2002, was one of the most successful series ever produced by the Bavarian automaker, with more than 800,000 examples built. A surprising number of these are still on the road, as the little Bimmer has proven itself a reliable as well as stylish performer. The Restorer’s Reference BMW 2002 1968–1976 provides restorers, collectors, and enthusiasts all the key information necessary to correctly refurbish these classic German coupes. As the value of these cars continues to rise, it’s more important than ever to ensure accuracy in restoration and preservation. From exterior colors to the myriad small details of the engine and interior, The Restorer's Reference BMW 2002 1968–1976 covers all of the details that add up to a correct, original car./div