THE SUNDAY TIMES HISTORY BOOK OF THE YEAR 2022 WINNER OF THE POL ROGER DUFF COOPER PRIZE FOR NON-FICTION SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE Eleven years when Britain had no king.

This is a magisterial narrative of the most turbulent decade in Anglo-Irish history: a decade of unleashed passions that came close to destroying the parliamentary system and to causing civil war in the United Kingdom. It was also the decade of the cataclysmic Great War, of an officers' mutiny in an elite cavalry regiment of the British Army and of Irish armed rebellion. It was a time, argues Ronan Fanning, when violence and the threat of violence trumped democratic politics. This is a contentious view. Historians have wished to see the events of that decade as an aberration, as an eruption of irrational bloodletting. And they have have been reluctant to write about the triumph of physical force. Fanning argues that in fact violence worked, however much this offends our contemporary moral instincts. Without resistance from the Ulster Unionists and its very real threat of violence the state of Northern Ireland would never have come into being. The Home Rule party of constitutionalist nationalists failed, and were pushed aside by the revolutionary nationalists Sinn Fein. Bleakly realistic, ruthlessly analytical of the vacillation and indecision displayed by democratic politicians at Westminster faced with such revolutionary intransigence, Fatal Path is history as it was, not as we would wish it to be.

'A superb biography, which paints a vivid picture of the times and of her subject' Daily Telegraph 'Fascinating, compelling, outrageous and ultimately tragic' Simon Sebag Montefiore 'It is the best royal biography I have read in years' A.N. Wilson From the Duff Cooper Prize-winning author of The Restless Republic, a remarkable biography of one of the most intriguing figures of the Restoration era. James, Duke of Monmouth, the favoured illegitimate son of Charles II, was born in exile the year his grandfather Charles I was executed and the English monarchy abolished. Abducted from his mother on his father's orders, he emerged from a childhood in the backstreets of Rotterdam to command the ballrooms of Paris, the brothels of Covent Garden and the battlefields of Flanders. Such was his appeal that when the monarchy itself came under threat, the cry was for Monmouth to succeed Charles II as king. He inspired both delight and disgust, adulation and abhorrence and, in time, love and loyalty. Louis XIV was his mentor, Nell Gwyn his protector, D'Artagnan his lieutenant, William of Orange his confidant, John Dryden his censor and John Locke his comrade. In The Last Royal Rebel, Anna Keay matches rigorous scholarship with a storyteller's gift to enrapturing effect. She paints a vivid portrait of the warm, courageous and handsome Duke of Monmouth, a man who by his own admission 'lived a very dissolute and irregular life', but who was ultimately prepared to risk everything for honour and justice. His story, culminating in his fateful invasion, provides a sweeping chronicle of the turbulent decades in which England as we know it was forged.

This text captures the magnificence of a collection of symbolic objects steeped in English history like no other: the crown jewels.

In the ninth century, a brilliant young woman named Joan disguised herself as a man so that she could follow her lover into the then-exclusively male world of scholarship. She proved so successful that she ascended the Catholic hierarchy in Rome and was eventually elected pope. Her pontificate lasted two years, until she became pregnant and died after giving birth during a public procession from the Vatican. Or so the legend goes—a legend that was fabricated sometime in the thirteenth century, according to Alain Boureau, and which has persisted in one form or another down to the present day. In this fascinating saga of belief and rhetoric, politics and religion, Boureau investigates the historical and ecclesiastical circumstances under which the myth of Pope Joan was constructed and the different uses to which it was put over the centuries. He shows, for instance, how Catholic clerics justified the exclusion of women from the papacy and the priesthood by employing the myth in misogynist moral tales, only to find the popess they had created turned against them in anti-Catholic propaganda during the Reformation.

AN ECONOMIST AND NEW YORKER BEST BOOK OF THE YEAR • A fresh, exciting, “readable and informative” history (The New York Times) of seventeenth-century England, a time of revolution when society was on fire and simultaneously forging the modern world. • “Recapture[s] a lost moment when a radically democratic commonwealth seemed possible.”—Adam Gopnik, The New Yorker “[Healy] makes a convincing argument that the turbulent era qualifies as truly ‘revolutionary,’ not simply because of its cascading political upheavals, but in terms of far-reaching changes within society.... Wryly humorous and occasionally bawdy”— The Wall Street Journal The seventeenth century was a revolutionary age for the English. It started as they suddenly found themselves ruled by a Scotsman, and it ended in the shadow of an invasion by the Dutch. Under James I, England suffered terrorism and witch panics. Under his son Charles, state and society collapsed into civil war, to be followed by an army coup and regicide. For a short time—for the only time in history—England was a republic. There were bitter struggles over faith and Parliament asserted itself like never before. There were no boundaries to politics. In fiery, plague-ridden London, in coffee shops and alehouses, new ideas were forged that were angry, populist, and almost impossible for monarchs to control. But the story of this century is less well known than it should be. Myths have grown around key figures. People may know about the Gunpowder Plot and the Great Fire of London, but the Civil War is a half-remembered mystery to many. And yet the seventeenth century has never seemed more relevant. The British constitution is once again being bent and contorted, and there is a clash of ideologies reminiscent of when Roundhead fought Cavalier. The Blazing World is the story of this strange, twisting, fascinating century. It shows a society in sparkling detail. It was a new world of wealth, creativity, and daring curiosity, but also of greed, pugnacious arrogance, and colonial violence.