WITH A NEW INTRODUCTION BY MARGARET ATWOOD Featured in the vast majority of mythologies and religions, birds are generally associated with creativity and the human spirit. From the Christian dove to Quetzalcoatl (the Aztec plumed serpent), and from Raven Man to Plato's description of the soul growing wings and feathers, birds have represented the soul in contrast to the body, the spiritual as opposed to the earthly. The Bedside Book of Birds is an unexpected and fascinating treasure trove of paintings, drawings, essays and scientific observations: it marvellously conveys the hope, the longing and the enchantment that birds have evoked in humans in all cultures and all times. Beautifully produced, the book contains more than one hundred illustrations, ranging from early cave paintings through works by Audubon, Morris and Gould, to Inuit and other works created in the twentieth century. There are writings by naturalists like W.H. Hudson, Laurens van der Post, Peter Matthiessen and Barry Lopez, and by classical authors such as Shakespeare, Coleridge, Melville and Poe. There is also a rich seam of contemporary work by Jorge Luis Borges, Ted Hughes, Italo Calvino, Bruce Chatwin and Haruki Murakami, among many others. The Bedside Book of Birds is a book to explore, to savour, and to learn from - a book for the winged soul in all of us.

Teachers have struggled for years to balance the competing demands of American Literature and AP English Language. Now, the team that brought you the bestselling Language of Composition is here to help. Conversations in American Literature: Language ∙ Rhetoric ∙ Culture is a new kind of American Literature anthology—putting nonfiction on equal footing with the traditional fiction and poetry, and emphasizing the skills of rhetoric, close reading, argument, and synthesis. To spark critical thinking, the book includes TalkBack pairings and synthesis Conversations that let students explore how issues and texts from the past continue to impact the present. Whether you’re teaching AP English Language, or gearing up for Common Core, Conversations in American Literature will help you revolutionize the way American literature is taught.

From Carol Jago and the authors of The Language of Composition comes the first textbook designed specifically for the AP* Literature and Composition course. Arranged thematically to foster critical thinking, Literature & Composition: Reading • Writing • Thinking offers a wide variety of classic and contemporary literature, plus all of the support students need to analyze it carefully and thoughtfully. The book is divided into two parts: the first part of the text teaches students the skills they need for success in an AP Literature course, and the second part is a collection of thematic chapters of literature with extensive apparatus and special features to help students read, analyze, and respond to literature at the college level. Only Literature & Composition has been built from the ground up to give AP students and teachers the materials and support they need to enjoy a successful and challenging AP Literature course. Use the navigation menu on the left to learn more about the selections and features in Literature & Composition: Reading • Writing • Thinking. *AP and Advanced Placement Program are registered trademarks of the College Entrance Examination Board, which was not involved in the publication of and does not endorse this product.

A book that’s built for you and your students. Flexible and innovative, American Literature & Rhetoric provides everything you need to teach your course. Combining reading and writing instruction to build essential skills in its four opening chapters and a unique anthology you need to keep students engaged in Chapters 5-10, this book makes it easy to teach chronologically, thematically, or by genre.

Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.

Bo Derek vaulted into the national spotlight in 1979 as the perfect fantasy woman in 10, Blake Edwards's sophisticated film comedy. Her otherworldly beauty and voluptuous figure captivated men everywhere, while her cornrow hairstyle launched a fashion trend among women. Bo has always remained intensely private about her personal life, especially with regards to her May-December marriage to director John Derek, creating an intriguing sense of mystery that has led to much speculation. Here, for the first time, she reveals the truth about the woman behind the glossy image. Born Mary Cathleen Collins and known as Cathy, she grew up in southern California, the horse-crazy oldest daughter of four. Her father, a public relations executive for the boat manufacturer Hobie Cat, and her mother, a hairstylist and makeup artist for a number of Hollywood figures, separated permanently while Bo was in her teens. During this time her mother was working for Ann-Margret, and it was backstage at one of the entertainer's Las Vegas shows that a theatrical agent approached Bo about pursuing a movie career. At one of her very first auditions the sixteen-year-old Bo met John Derek, a man thirty years her senior, with whom she would spend the next twenty-five years of her life. Theirs was a love affair of epic proportions, but it was one that was widely misunderstood by the press and public alike. John was dubbed a Svengali, and his influence over the young Bo was thought to be limitless. With great candor and an endearing humor, Bo comes clean on a relationship that has long intrigued provided fodder for American gossip mills, and the result is an account that is far from what we may haveimagined. Bo lays bare the intimate moments and madcap adventures that she and John shared, revealing in the process that she has never, even for a moment, relinquished control of her own destiny. Given her unusual story, her only-in-Hollywood childhood, her friendships with Ursula Andress and Linda Evans (both of John's ex-wives), her time spent living in a trailer home, her rumored relationship with Ted Turner, and her exhaustive work for the Republican Party, it often seems as if Bo has lived nine lives rather than just one. Whether spurning Life magazine or passing on the opportunity to work with legendary filmmaker Dino De Laurentiis, Bo has gone with her gut regardless of the consequences. And that's only fitting for the woman who has chosen to live life with no safety nets--and no regrets. But as Bo makes clear in Riding Lessons, it is her passion for John and her love of all things equine that have been the constants in her life. Sharing her hard-won lessons on life and love, she draws on her intuitive understanding of horses to offer surprising insights into the dynamics of intimate relationships. In this compelling memoir, Bo Derek writes openly of her growing self-awareness and of the coping strategies she has learned, whether faced with sudden stardom, the crazy and competitive world of moviemaking, or the death of her beloved husband. With Riding Lessons, she transcends her legendary physical beauty to reveal an inner wisdom certain to enlighten and enthrall readers of all ages.

It only takes one fleeting moment for Liz Camden to change the lives of everyone she loves. The community along Oregon's Deschutes River is one of successful professionals and perfect families. For years, up-and-comers Liz and Owen have admired their good friends and neighbors, Carole and David. They appear to have it all--security, happiness, and a beautiful young son, Charlie. Then Charlie vanishes without a trace, and all that seemed safe is shattered by a tragedy that is incomprehensible--except to Liz. She can't undo the terrible mistake she made. Or her unforgiveable decision to conceal it. As two marriages crack and buckle in grief and fear, Liz retreats into her own dark place of guilt, escalating paranoia, and betrayals even she can't imagine. Because there's another good neighbor who has his own secrets, his own pain, and his own reasons for watching Liz's every move. . . . Someone who knows that the mystery of the missing boy on the Deschutes River is far from over.