From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

A selection of Repeater authors choose their favourite forgotten horror stories for this new anthology, with each also writing a critical introduction for the story of their choice. A selection of Repeater authors choose their favourite horror stories for this new anthology, with each writing a critical introduction for the story of their choice. Edited by novelist and Repeater publisher Tariq Goddard and "horror philosopher" Eugene Thacker, The Repeater Book of the Occult is a new anthology of horror stories that explores the ever-shifting boundaries between the natural and supernatural, between the real and the unreal. As the editors note, "In the grey zone between what appears and what is, lies horror. But horror writing is also a certain disposition, a way of thinking based on a suspicion regarding the world as it is given to us, and a doubt regarding the accepted ways of explaining that world to us - and for us." The Repeater Book of the Occult includes introductions by Repeater authors such as Leila Taylor, Carl Neville, Rhian E Jones, and Elvia Wilk, and features horror classics by Algernon Blackwood, Charlotte Perkins Gilman, and Edgar Allan Poe, as well as forgotten gems by authors such as W.W. Jacobs, Mark Twain, and Sheridan Le Fanu.

A fascinating journey into the dark heart of the American gothic that analyzes its connections to race and racism in 21st-century America Haunted houses, bitter revenants and muffled heartbeats under floorboards—the American gothic is a macabre tale based on a true story. Part memoir and part cultural critique, Darkly explores American culture’s inevitable gothicity in the traces left from chattel slavery. The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning. If the gothic narrative is metabolized fear, if the goth aesthetic is

Little houses, big forests (desire is no light thing) is an anthology of essays, short fiction, novel extracts and film stills - the first containment in one place of the writing and visual work of Siouxzi Mernagh. The book is an invitation to get lost within varied landscapes of its pages: middle-of-nowhere Australia, the minds of Susan Sontag and W.G Sebald, and, most prominently, the proverbial forests of all of our childhoods. There are, however, a few thematic paths to trace through these landscapes. Coming-of-age desire, our uneasy sense of self when isolated in nature and female sexuality become the mile-markers. The invitation to get lost is an invitation to come out the other side with the sense that being lost is not necessarily a state to be avoided but one in which we can occasionally luxuriate in.

A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.

Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.

Even though they were mother and daughter they were known mostly as ‘the sisters’. It was a union that would lead them both into lives they wished they had not had. For thirty-five years, two women frighten each other through the fading twilight of the last century, their existence an unacknowledged tragedy of manners. Confusing their duty to one another for the feelings they’re too busy to mention, their desire for “modest social success” ends by asphyxiating whatever lies within its grasp. From the art galleries of Manhattan Island to the pubs of the North Yorkshire Moors, Nature and Necessity is a wild reimagining of the nineteenth-century realist novel, a story of siblings battling for survival and supremacy, a war story without armies, and a warning that even the most promising and prosperous of lives can be crushed by the fear of uttering the confession: I love you.