A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.

Destruction of temples and their transformation into churches are central symbols of change in religious environment, socio-political system, and public perception in late antiquity. Archaeologists, historians, and historians of religion seek an appropriate larger perspective on the phenomenon a oetemple-destructiona .

This book offers an original reading of Carlo Ginzburg’s work, tracing his trajectory in the context of Italian micro-history, his debates on the objectivity of historical knowledge, and the connection of his work to the expanded perspectives constructed in recent decades by global history. Ginzburg's theories have achieved notoriety not only in the field of history but also among the wider public. This volume uses Ginzburg’s own aesthetic and intellectual practices in its analysis, and it deciphers the elements that drove and influenced the making of his work. By highlighting the procedures that Ginzburg has constructed to respond to problems of cultural history, the book also pays close attention to Erich Auerbach and Aby Warburg, whose influences played a crucial role in reformulating Ginzburg’s conception of micro-history. From there, the volume demonstrates the radicality of Ginzburg's micro-history through the discussion of some of his most recent contributions to international historiographical debates. Thought-provoking and thoroughly researched, Deciphering Carlo Ginzburg is an innovative study in Ginzburg’s methods and theories.

Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.

Gestural Imaginaries offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranged across art and philosophy.

This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics.Teige's principal work on modernism, now in English for the first time, is supplemented by a selection of his other writings on art and architecture.