The book treats the Protestant cultures of northern Europe, particularly England, examining biblical commentaries, plays, poems, sermons, and treatises, as well as the often startling negotiations between these texts and other cultural discourses. In Shuger's hands, these biblical materials serve to illuminate, and often radically reinterpret, the dominant issues in contemporary Renaissance studies: gender, the body, colonialism, subjectivity, desire, law, and history. Her work forcefully demonstrates the cultural centrality of Renaissance religion.

The Bible has inspired scholarly and artistic achievements all over the world since Late Antiquity. The largest and most diverse collection of Bibles, in both their calligraphic and illuminative expression, is archived at the Vatican Library. The scholars who contributed to this volume were given unprecedented access to the Vatican Library archive and, while focusing on the written and illustrative themes of the Bible, have created the most comprehensive chronology to date. This volume is a journey led by major international scholars through the Bible's development from Late Antiquity to the Renaissance era, allowing all readers of the Bible to marvel at the wisdom of the writings and beauty of the illustrations, many available here for the first time.

This collection of nine essays, with an introduction by Richard Griffiths, examines some of the broad themes relating to the way in which the reading, translation and interpretation of the Bible in the Renaissance could serve the specific and often practical aims of those involved. Moving from humanist issues concerned with the nature of the sacred texts and methods for interpreting them, the volume examines the uses of the Bible in different contexts, and looks at the social, political and religious impact of its translations in the sixteenth century.

First published in 1998 by the University of California Press, The Renaissance Bible skillfully navigates the immense but neglected materials spanning the gap between medieval biblical scholarship and the rise of Higher Criticism. Debora Kuller Shuger powerfully demonstrates the disciplinary fusion of Renaissance biblical scholarship--in which the Bible remained the primary locus for cultural, anthropological, and psychological reflection--against modern historians' penchant for bracketing all things religious when reimagining the Renaissance world. Despite the considerable ground she covers and the interdisciplinary nature of her subject, Shuger never roves. Her penetrating focus casts remarkable light on her subject, especially Renaissance writers' use of the Passion. Their concerns emerge as surprisingly contemporary, inviting the reader to reflect on such relevant topics as selfhood, violence, and gender.

A reception history of the apocryphal book Susanna and the elders. >

This book is a study of the multiplicity of ways the Bible was used by different groups during the Middle Ages. They explore different aspects of Christian Biblical Study in the face of the challenges of religious pluralism in the medieval and early-modern periods.