From Clay McLeod Chapman, “the twenty-first century’s Richard Matheson” (Richard Chizmar), comes an “original and chilling” (Buzzfeed) ghost story that follows the legend of the Witch Girl of Pilot’s Creek as it evolves every twenty years—with haunting results. In the 1930s, Ella Louise and her daughter Jessica are dragged from their home at the outskirts of Pilot’s Creek, Virginia. Ella Louise is accused of witchcraft, and both are burned at the stake. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses. But if the mother was the witch, why was the little girl’s grave so tightly sealed? This question fuels a legend told around a campfire in the 1950s by a man forever marked by his encounters with Jessica. Twenty years later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the ghost story. Amber’s experiences on the set and its ’90s remake will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt. Now, Amber’s best chance to break the cycle of horror comes when a popular true-crime investigator tracks her down for an interview. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again?

While the creation of Dolly the sheep, the world's most famous clone, triggered an enormous amount of discussion about human cloning, in Dolly Mixtures the anthropologist Sarah Franklin looks beyond that much-rehearsed controversy to some of the other reasons why the iconic animal's birth and death were significant. Building on the work of historians and anthropologists, Franklin reveals Dolly as the embodiment of agricultural, scientific, social, and commercial histories which are, in turn, bound up with national and imperial aspirations. Dolly was the offspring of a long tradition of animal domestication, as well as the more recent histories of capital accumulation through selective breeding, and enhanced national competitiveness through the control of biocapital. Franklin traces Dolly's connections to Britain's centuries-old sheep and wool markets (which were vital to the nation's industrial revolution) and to Britain's export of animals to its colonies—particularly Australia—to expand markets and produce wealth. Moving forward in time, she explains the celebrity sheep's links to the embryonic cell lines and global bioscientific innovation of the late twentieth century and early twenty-first. Franklin combines wide-ranging sources—from historical accounts of sheep-breeding, to scientific representations of cloning by nuclear transfer, to popular media reports of Dolly's creation and birth—as she draws on gender and kinship theory as well as postcolonial and science studies. She argues that there is an urgent need for more nuanced responses to the complex intersections between the social and the biological, intersections which are literally reshaping reproduction and genealogy. In Dolly Mixtures, Franklin uses the renowned sheep as an opportunity to begin developing a critical language to identify and evaluate the reproductive possibilities that post-Dolly biology now faces, and to look back at some of the important historical formations that enabled and prefigured Dollys creation.

In a work that spans the twentieth century, Nancy Tomes questions the popular--and largely unexamined--idea that in order to get good health care, people must learn to shop for it. Remaking the American Patient explores the consequences of the consumer economy and American medicine having come of age at exactly the same time. Tracing the robust development of advertising, marketing, and public relations within the medical profession and the vast realm we now think of as "health care," Tomes considers what it means to be a "good" patient. As she shows, this history of the coevolution of medicine and consumer culture tells us much about our current predicament over health care in the United States. Understanding where the shopping model came from, why it was so long resisted in medicine, and why it finally triumphed in the late twentieth century helps explain why, despite striking changes that seem to empower patients, so many Americans remain unhappy and confused about their status as patients today.

In this penetrating new study, Skocpol of Harvard University, one of today's leading political scientists, and co-author Williamson go beyond the inevitable photos of protesters in tricorn hats and knee breeches to provide a nuanced portrait of the Tea Party. What they find is sometimes surprising.

This book looks at the inside deliberations that led to President George W Bush's space exploration initiative. The author team has been granted unprecedented access to senior policy makers as the plan was assembled during 2003 and 2004. Sietzen and Cowing will give exclusive details on the meetings between President George Bush, Vice President Richard Cheney, and senior members of the White House staff as the planning process began. In addition Sietzen and Cowing will examine how policy was translated from paper into hardware designs including the first outline of the plan's new space vehicle and how the inspiration behind the architecture once used in the Apollo program was summoned back to guide 21st century space planners. Sietzen and Cowing will describe how the Columbia accident and the political outcry for a new central goal for the US space program gave rise to what would become the most far reaching change in US space policy in a generation. Readers will have the most comprehensive look available on what this new space vision will do for human exploration of the Solar System -- and how nearly everything NASA does will change as a result. New Moon Rising: The Making of America's Space Vision and the Remaking of NASA, by Frank Sietzen, Jr. and Keith L. Cowing, to be published July 2004. The team broke the story on the space plan in the pages of the Washington Times and in the United Press International wire service. Portions of the book were serialised in the Times in a multi-part background article called "Why Some Said the Moon: The Exclusive Inside Story of the Bush Space Vision" published in January 2004.

Love is the real magic ... Alex Barrow’s whole life just imploded—partner, home, job, all gone in forty-eight hours. Now, he’s back in his hometown, opening the bakery he’s always dreamed of. But the pleasure of opening day is nothing compared to the beautiful man who bewitches Alex. Corbin Wale is a weirdo—he’s heard it his whole life. Yes, he’s often in a fantasy world, but the things he feels are very real. And so is the reason why he can never be with Alex. Even if Alex is everything he’s always fantasized about. Even if maybe Corbin is Alex’s fantasy too. When Corbin begins working at the bakery, he and Alex can't deny their connection. As the holidays work their magic, Alex yearns for the man who seems out of reach. But to be with Alex, Corbin will have to challenge every truth he’s ever known. If his holiday risk pays off, two men from different worlds will get the love they've always longed for. The Remaking of Corbin Wale is a magical holiday romance that is an M/M romance take on Practical Magic. What readers are saying: "This is a book I'll love forever and read a thousand times." —Just Love Reviews "Roan Parrish graces us with literary storytelling that is unique and utterly captivating." —Sinfully

One of New York Magazine's best books on Silicon Valley! The true, behind-the-scenes history of the people who built Silicon Valley and shaped Big Tech in America Long before Margaret O'Mara became one of our most consequential historians of the American-led digital revolution, she worked in the White House of Bill Clinton and Al Gore in the earliest days of the commercial Internet. There she saw firsthand how deeply intertwined Silicon Valley was with the federal government--and always had been--and how shallow the common understanding of the secrets of the Valley's success actually was. Now, after almost five years of pioneering research, O'Mara has produced the definitive history of Silicon Valley for our time, the story of mavericks and visionaries, but also of powerful institutions creating the framework for innovation, from the Pentagon to Stanford University. It is also a story of a community that started off remarkably homogeneous and tight-knit and stayed that way, and whose belief in its own mythology has deepened into a collective hubris that has led to astonishing triumphs as well as devastating second-order effects. Deploying a wonderfully rich and diverse cast of protagonists, from the justly famous to the unjustly obscure, across four generations of explosive growth in the Valley, from the forties to the present, O'Mara has wrestled one of the most fateful developments in modern American history into magnificent narrative form. She is on the ground with all of the key tech companies, chronicling the evolution in their offerings through each successive era, and she has a profound fingertip feel for the politics of the sector and its relation to the larger cultural narrative about tech as it has evolved over the years. Perhaps most impressive, O'Mara has penetrated the inner kingdom of tech venture capital firms, the insular and still remarkably old-boy world that became the cockpit of American capitalism and the crucible for bringing technological innovation to market, or not. The transformation of big tech into the engine room of the American economy and the nexus of so many of our hopes and dreams--and, increasingly, our nightmares--can be understood, in Margaret O'Mara's masterful hands, as the story of one California valley. As her majestic history makes clear, its fate is the fate of us all.