In this ground-breaking work on the Ottoman town of Manastir (Bitola), Robert Mihajlovski, provides a detailed account of the development of Islamic, Christian and Sephardic religious architecture and culture as it manifested in the town and precincts.

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

During the tumultuous age of empire, Ottoman Macedonia became a blank canvas onto which Great Powers and neighboring states projected their aspirations, grievances, ambitions, and state-building endeavors. This manuscript aims to elucidate these constructs and imaginaries, employing a theoretical framework encompassing entangled history, post-colonial theory, and subaltern studies. It will examine both (inter)state and local examples to shed light on the multifaceted nature of this complex issue.

From 1326 to 1402, Bursa, known to the Byzantines as Prousa, served as the first capital of the Ottoman Empire. It retained its spiritual and commercial importance even after Edirne (Adrianople) in Thrace, and later Constantinople (Istanbul), functioned as Ottoman capitals. Yet, to date, no comprehensive study has been published on the city's role as the inaugural center of a great empire. In works by art and architectural historians, the city has often been portrayed as having a small or insignificant pre-Ottoman past, as if the Ottomans created the city from scratch. This couldn't be farther from the truth. In this book, rooted in the author's archaeological experience, Suna Çagaptay tells the story of the transition from a Byzantine Christian city to an Islamic Ottoman one, positing that Bursa was a multi-faith capital where we can see the religious plurality and modernity of the Ottoman world. The encounter between local and incoming forms, as this book shows, created a synthesis filled with nuance, texture, and meaning. Indeed, when one looks more closely and recognizes that the contributions of the past do not threaten the authenticity of the present, a richer and more accurate narrative of the city and its Ottoman accommodation emerges.

The Encyclopaedia of Islam (Second Edition) sets out the present state of our knowledge of the Islamic World. It is a unique and invaluable reference tool, an essential key to understanding the world of Islam, and the authoritative source not only for the religion, but also for the believers and the countries in which they live.

"The Crescent and the Eagle" examines the awakening of Albanian national identity from the end of the 19th century to the outbreak of the First World War - a period of intense nationalism in the Balkans - from an Ottoman perspective. Drawing on Ottoman and European archival material, the book undermines the customary negative stereotypes of Ottoman rule, offering a more nuanced interpretation. Gawrych provides a critical but objective examination of the evolution of government policies toward Albanians, from attempts to mould them into an "iron barrier" to the establishment of a uniform system of administration. He argues that this was a result of a complicated set of conflicting allegiances and identities, rather than a simply adversarial struggle between government imposition of policy and Albanian resistance. The author also analyses the general problems of endemic violence and misadministration at the provincial level, and examines Albanian efforts to gain nationality rights and maintain local privileges and tribal autonomy. Weaving his analysis of these events into a chronological framework, he concludes that Albanian independence resulted from a confluence of foreign and domestic developments rather than from the design and will of the Albanians themselves. This stimulating study offers many fresh insights into the dynamics of power within the Ottoman Empire and contributes a new perspective to the study of the development of Albanian nationalism.