This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'.

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One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

Celebrating more than twenty-five years of the most eye-popping, mind-blowing, jump-off-the-couch-worthy sports highlights from the network that made them famous in the first place Every week for twenty-five years, ESPN's SportsCenter has collected seven days worth of the most extraordinary (or sometimes boneheaded) plays, controversial calls, last-second miracles, and strangest fans in action. Each highlight clip with its commentary is a mini-story about a game, a player, or a season. A few of the best of the best: Michael Jordan's take off from the foul line in the 1988 slam-dunk competition; Derek Jeter's foul-ball dive to help defeat the Red Sox in 2004; Christian Laettner's buzzer beater against Kentucky in the 1992 NCAA Championship; Dwight Clarke completing "The Catch" in the 1982 NFC Championship; Brandi Chastain's bra-bearing victory celebration following the 1999 World Cup; and, of course, Dennis Rodman's hair. All of the trademark humor that makes ESPN the first stop and the last word for fans everywhere: razor-sharp commentary, infectious catchphrases, and unrepentant nicknaming. ESPN Plays of the Week is the first book ever to bring the nightly excitement of the most popular highlight reels in the world to the printed page.

"The Tragedy of Titus Andronicus" by William Shakespeare is a gripping and intense drama that explores themes of revenge, betrayal, and the destructive consequences of violence. Set in ancient Rome, the play follows the tragic downfall of the noble general Titus Andronicus and his family as they become embroiled in a cycle of vengeance and bloodshed. At the heart of the story is the brutal conflict between Titus Andronicus and Tamora, Queen of the Goths, whose sons are executed by Titus as retribution for their crimes. In retaliation, Tamora and her lover, Aaron the Moor, orchestrate a series of heinous acts of revenge against Titus and his family, plunging them into a spiral of madness and despair. As the body count rises and the atrocities escalate, Titus is consumed by grief and rage, leading to a climactic showdown that culminates in a shocking and tragic conclusion. Along the way, Shakespeare explores themes of honor, justice, and the nature of humanity, offering a searing indictment of the cycle of violence and the capacity for cruelty that lies within us all.

"You are deluded, Romeo. Vampires do not have the capability to love. They are heartless." The Capulets and the Montagues have some deep and essential differences. Blood differences. Of course, the Capulets can escape their vampire fate, and the Montagues can try not to kill their undead enemies. But at the end of the day, their blood feud is unstoppable. So it's really quite a problem when Juliet, a vampire-to-be, and Romeo, the human who should be hunting her, fall desperately in love. What they don't realize is how deadly their love will turn out to be—or what it will mean for their afterlives. . . . This riotous twist on the ultimate tale of forbidden romance is simply to die for.

For anyone who wants information and attitude in one savvy volume, this witty cinematic companion is organized by more than 150 themes that make selecting--or just reading about--a film an event in itself. All the offbeat, eclectic information other movie guides wouldn't even think of telling you is here in the sharpest, most provocative guide yet.