Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

A licensed mental health therapist and ordained United Methodist minister, the author reveals how he was delivered from the deepest depths of despair and hopelessness to a sense of freedom and peace through God's grace and forgiveness.

"Former NFL star Kermit Alexander tells the ... true story of the ... massacre of his family and his subsequent years of despair, followed by a spiritual renewal that showed him a way to rebuild his family and reclaim his life"--Amazon.com.

Preliminary Material /Peter J. Awn -- Introduction /Peter J. Awn -- Mythic Biography /Peter J. Awn -- Iblīs: The One-Eyed /Peter J. Awn -- Iblīs: Model of the Mystic Man /Peter J. Awn -- Summary and Conclusion /Peter J. Awn -- Appendix /Peter J. Awn -- Bibliography /Peter J. Awn -- Qurʾān References /Peter J. Awn -- Names and Places /Peter J. Awn -- Subjects /Peter J. Awn.

Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.

Where did her Father get his choice of a name? Everyone just assumed it was because he loved operas and named her after the Spanish gypsy in "Carmen." As she matured into a stunningly beautiful young girl with an olive complexion, dark hair and dark eyes, she resembled more of the Hispanic race than her Caucasian ancestry. Her lack of identity in early childhood combined with the rejection and abuse from her family of origin, led Carmyn to believe that the "y" in her name was the beginning of her feeling like a misplaced "why" in life. After a failed suicide attempt at age thirteen, Carmyn sought to find the answers to the untold many "whys" in her life. A dramatic conclusion weaves the past with the present and shines with the compelling truth and hope that only God can bring light out of darkness. Her redemption is found veiled in the symbolism of roses, the love of an unforgettable caretaker named Rosetta, and a divine revelation from God that ultimately transforms her tragedies into triumphs.