Rival reporters team up for the story of their careers in this lesbian romantic suspense filled with humor, twists, and one fierce ice queen. Ambitious Daily Sentinel journalist Lauren King is chafing on LA's vapid social circuit, reporting on glam, A-list parties while sparring with her rival-the formidable, icy Catherine Ayers. Ayers is an ex-Washington DC political correspondent who suffered a humiliating fall from grace, and her acerbic tongue keeps everyone at bay. Everyone, that is, except knockabout Iowa girl King, who is undaunted, unimpressed and gives as good as she gets. One night a curious story unfolds before their eyes: One business launch, 34 prostitutes and a pallet of missing pink champagne. What on earth does it mean? King and Ayers join forces but they might find a lot more than just a passion for news on the dusty road to Nevada.

This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations. Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into “black files" and “red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral. The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father's surname, treaty card, Cree accent echo, metal bits, grit— / and I will still have room to cock a fist." The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.

Having gained exclusive access to the Russian State Film and Photo Archive, a Russian expert provides extraordinary revelations and never-before-seen images from deep within Russia's document vaults that shed light on unexplored Russian history. Based on a PBS documentary. Photos. Index.

A TASTE OF ROMANCE LEADS NANCY TO A RENDEZVOUS WITH DANGER! Esme Moore, America's hottest romance writer, has come to River Heights, and the rumors are swirling. She's written her autobiography, a book of true confessions, and the scandals are sure to explode off the page. But someone has vowed to kill the book -- or Esme -- before her revelations come to light. It's up to Nancy to find the source of the threat. Speaking of scandals, Nancy may be on the verge of starting one of her own. A handsome young River Heights detective has joined her on the case, and Nancy's beginning to wonder if romance is simply in the air. But for now, she must attend to the intrigue at hand: the web of jealousy, suspicion, and betrayal that threatens to destroy Esme Moore.

A twisty lesbian romance sequel to The Red Files about the family we can't choose, and the one that chooses us.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.

Wizard for hire Harry Dresden has to track down the things that go bump in the night in this novel in Jim Butcher's #1 New York Times bestselling series. There’s no love lost between Harry Dresden, the only wizard in the Chicago phone book, and the White Council of Wizards, who find him brash and undisciplined. But war with the vampires has thinned their ranks, so the Council has drafted Harry as a Warden and assigned him to look into rumors of black magic in the Windy City. As Harry adjusts to his new role, another problem arrives in the form of the tattooed and pierced daughter of an old friend—all grown up and already in trouble. Her boyfriend is the only suspect in what looks like a supernatural assault straight out of a horror film. Malevolent entities that feed on fear are loose in Chicago, but it’s all in a day’s work for a wizard, his faithful dog, and a talking skull named Bob...